Annie Bellet and Marko Kloos do the right thing

Annie Bellet has withdrawn her Puppy slated story from the Hugo ballot:

I am withdrawing because this has become about something very different than great science fiction. I find my story, and by extension myself, stuck in a game of political dodge ball, where I’m both a conscripted player and also a ball. (Wrap your head around that analogy, if you can, ha!) All joy that might have come from this nomination has been co-opted, ruined, or sapped away. This is not about celebrating good writing anymore, and I don’t want to be a part of what it has become.

So has Marko Kloos:

I also wish to disassociate myself from the originator of the “Rabid Puppies” campaign. To put it bluntly: if this nomination gives even the appearance that Vox Day or anyone else had a hand in giving it to me because of my perceived political leanings, I don’t want it. I want to be nominated for awards because of the work, not because of the “right” or “wrong” politics.

It can’t have been easy for either writer to give up an honour that few authors will get to experience even once. It’s a credit to their character that both choose the right thing to do, voluntarily withdrawing rather than profiting from an unearned nomination. Hopefully, this also means that some of the writers excluded unjustifiably from the Hugo ballot thanks to the Puppies now can be added back in.

What I found interesting in Bellet’s withdrawal is that she felt “stuck in a game of political dodge ball” thanks to her nomination. It’s clear that for those writers on the Puppy slates but not part of the hardcore loonies, there is a lot of social oprobium they have to deal with, as for some strange reason people have not greeted the slates with unadulterated joy. For the Wrights, Days and Correiras this is not a problem, they’ve burned their bridges a long time ago, but for those drafted into the slates (or gods help them, who were naive enough to volunteer), it seems there is a cost, there’s social pressure to reject the slate. If we’re lucky, now that the first two writers have done the decent thing, have gotten respect from the sane part of SF fandom for it, more will follow.

Marissa Delbressine’s sketch

Marissa Delbressine sketching

The Dutch Comic Con was partially sponsored by the publishers of Eppo magazine, the bi-weekly comics zine that seems largely aimed at nostalgic forty and thirty something people remembering its original incarnation. As such the audience at the comic con turned out to be slightly too young for them and the artists signing at their stand were not the busiest, shall we say? Where at a normal convention you’d expect long rows of people interested in autographs or sketches, here the artists outnumbered the fans when I came round with my sketch book. Which gave me the opportunity to talk to Marissa Delbressine for somewhat longer than I’d expected, which is always nice.

Marissa Delbressine is the artist on the action adventure comic Ward which has been running in Eppo and so far has been collected in two albums. Written by veteran scenarist Willem Ritsier, it is the sort of uncomplicated adventure comic that could’ve been published three decades ago too. What I like about is that it’s so family orientated: the series may be named after the mysterious loner Ward, but the real protagonists are the Kessel family: Frank, Isa and their two children, Lonneke and Tom. It’s rare to see any sort of happy but realistic family in a comic like this and especially since the two women graduated from their professional hostage status at the end of the first story, each of the characters has come alive.



Delbressine’s art is a huge part of the appeal of Ward to me. For the strip she draws in the realistic tradition of e.g. a William Vance, but she isn’t afraid to inject a bit of cartoonish exagerration in her figures, especially the faces. What I especially like is the way her characters are immediately recognisable, none of them quite the archetypical action figure or superheroine. I like the way she shows the difference in ages between e.g. Isa and Lonneke: it’s immediately clear that the one has a couple of decades on the other, without having to fall back on the stereotypical signifiers of age like greying hair or wrinkles. Below is the sketch she did of Isa, coloured in and all. More of her work can be found at her Tumblr art portfolio.

Marissa Delbressine sketch

The Goblin Emperor — Katherine Addison

Cover of The Goblin Emperor


The Goblin Emperor
Katherine Addison
502 pages
published in 2014

One of the dirty little secrets of book reviewing is that the circumstances under which you read any given book can massively influence how you feel about it. Since I read the first half of The Goblin Emperor on a sunny Thursday afternoon while drinking a nice IPA sitting at an Amsterdam terrace and the other half sitting in my garden on the Friday afternoon following, drinking an even nicer IPA, it’s no wonder I feel quite mellow about it. But in this case I would’ve enjoyed it even had I read it during one of the grey, dull, wet afternoons that you normally get in Amsterdam in early April. This is a great novel and well deserves its Hugo nomination. It’s also the sort of novel you can’t help but read fast, a true page turner.

The Goblin Emperor at heart is a very traditional power fantasy, about the boy of humble origins who becomes emperor by happenstance and now has to very quickly learn how to survive in a world of political intrigue he’s completely unprepared for, filled with people who either want to manipulate him or replace him with a better figurehead. It’s one of those fantasy scenarios other writers can write multiple trilogies about to get to that point, but Katherine Addison has her goblin hero confirmed as the emperor within five pages, the rest of the novel being about him getting to grips with his new job, woefully inadequate though he feels.

Read more…

Books read March

Really? I’ve only read four novels this month? Apparantly so. Granted, most of the month was spent reading through this list of short fiction, but even so, this is disappointing.

Juniper Time — Kate Wilhelm
Read for Joachim Boaz’s Kate Wilhelm review series. This is one of the novels the cyberpunks were rebelling against.

Reaper Man — Terry Pratchett
I read this in the wake of the news of Terry Pratchett’s death, his most fitting novel as it revolves around mortality and DEATH.

The Shining Girls — Lauren Beukes
Serial killer horror is not my thing as it so often puts its sympathies with the killer more than with their victims; cf. The Silence of the Lambs. Beukes however keeps her sympathies firmly where they belong, showing the waste and destruction the killer engages in without glamourising it.

King’s Dragon — Kate Elliott
It’s unfair. Here I was expecting at best a compentently written epic fantasy story, but instead Elliott made me think, by never choosing the lazy option, by actually creating a medievaloid fantasy world that is more than just modern people in medieval drag. It also has one of the most harrowing depictions of the psychology of domestic abuse I’ve read in any novel.

Your Happening World (March 12th through April 11th)

  • The Westminster child abuse ‘coverup’: how much did MPs know? | Politics | The Guardian – Another day, another set of shocking headlines about allegations of historical child abuse and high-level coverups, this time a dossier being handed over by the Metropolitan police themselves to the Independent Police Complaints Commission to examine 14 allegations of Scotland Yard’s own complicity in the alleged coverup of a high-level paedophile ring.
  • On the “dispute” between radical feminism and trans people – In a world where left-wing politics has often derided LGBT identities as “bourgeois” and then accused us of splitting the movement, it infuriates me that I’ve had to take a break from writing a piece on the Tories’ “liberation” of the NHS to write 8,500 words to debunk a sexological concept that was shown to be untenable before the start of the First World War.
  • Featured news – Skeletons uncovered at Ipplepen reveals major Roman cemetery – University of Exeter – The significance of the discovery took on further importance when one of the skeletons was found to date from around 250 to 350 years after the Roman period, an era often referred to as the ‘dark ages’. These discoveries are of both national and regional value in providing a glimpse into Romano-British life and how the settlement continued into post-Roman times.
  • Minister-President over discriminatie: oplossing ligt bij slachtoffers – "Eén van de dingen die ik [van leerlingen] leer, is hoe ingrijpend discriminatie is. Dat het in Nederland nog veel voorkomt en het echt uitmaakt of je Mohammed of Jan heet als je solliciteert. Ik heb daar over nagedacht en ben tot de conclusie gekomen dat ik dit niet kan oplossen. De paradox is dat de oplossing bij Mohammed ligt. Ik kan tegen Nederland zeggen: ‘discrimineer aub niet, beoordeel iemand op karakter en kennis.’ Maar als het wel gebeurt, heeft Mohammed de keus: afhaken wegens belediging of doorgaan. Nieuwkomers hebben zich altijd moeten aanpassen, en altijd te maken gehad met vooroordelen en discriminatie. Je moet je invechten."
  • Who wants to be a millionaire? Peter Oborne on Tony Blair – But Tony Blair has made a fortune. A J P Taylor, in his masterpiece English History 1914-45, noted that Lloyd George was the first prime minister since Walpole to leave office considerably richer than when he entered it. Blair falls into the tradition of Walpole and Lloyd George (though his exploitation of the office of prime minister came after he left Downing Street).
  • Malaysian SFF writers and projects: a directory | Zen Cho – I’ve been conscious for a while that I’m no longer able to keep up the list of Malaysian SFF writers in English that I put up awhile ago — because I’m busy, but also because there are more of us than ever! I think it is helpful to have a directory for interested readers and people who want to connect with other local writers, but it needs to be updated regularly if it’s to be of use.
  • Google Bullies, Censors MintPress & AntiWar.com Over Abu Ghraib Photos – On March 12 Google AdSense contacted MintPress News threatening to disable our Google Ads if we did not remove gruesome and now infamous photos of American soldiers torturing Iraqis in the Abu Ghraib prison.
  • Miwa Hirono: my Home Office hell | Opinion | Times Higher Education – Because of this policy, I am now forced to quit my permanent position at the University of Nottingham after six and a half years of dedication and contribution to the university and to the wider policy and scholarly communities. My family and I will be removed from this country as of next Sunday.
  • Student political protest is under threat, not free speech | Comment is free | The Guardian – We are deeply concerned about the letter “We cannot allow individuals to be censored and silenced” on 15 February, which contained serious inaccuracies. For example, neither Kate Smurthwaite nor Germaine Greer were no-platformed; poor ticket sales were a factor in the cancellation of Smurthwaite’s show and Greer’s talk went ahead.
  • We cannot allow censorship and silencing of individuals | letters | World news | The Observer –
  • What is Twine? (For Developers) | Liz England –