Books Read June

Again only six books read, all science fiction novels of one kind or another:

Hunting Party — Elizabeth Moon
Heris Serrano has just left the Regular Space Service for reasons and is now reduced to being the captain of the luxury space yacht of Lady Cecelia, who has been saddled with ferrying some of her own wayward family members to one of the Family’s private planets, for fox hunting season. Stuff happpens and foxes turn out not to be the only things being hunted…

Five-Twelfths of Heaven — Melissa Scott
In a far future where space ships are run on alchemical principles, havbing to seek out Purgatory inbetween Heaven and Hell to travel from system to system, one woman pilot fights for her freedom.

Sporting Chance — Elizabeth Moon
The sequel to Hunting Party, dealing with the fallout of the revelations of the previous story, which Lady Cecelia and Heris Serrano have to resolve. Another fun read, slightly better than it needed to be.

Inversions — Iain M. Banks
Read in remembrance of the passing of Iain M. Banks. This was his one true fantasy novel, though there are some “subtle” hints that this may in fact be set somewhere within the Culture series.

Adrift on the Sea of Rains — Ian Sales
In an alternate world where the Apollo project lasted much longer and was militarised, a handful of US astronauts are stranded on the Moon when World War III broke out in the early eighties. Now they need to get home.

God’s War — Kameron Hurley
I’m not quite sure yet what I think about Hurley’s debut novel. It’s been criticised for its pseudo-Islamic setting and I’m not quite comfortable with it myself, but there are hints of greatness in it nevertheless. An interesting debut.

Fandom really should clean our act up

So sick and tired of this shit happening in my fandom:

3. Moments later, another guy, a fellow writer, hugs me tenderly from behind, though I do not know him. When I turn, startled, to protest, he says “You have the greatest smile. It just makes me want to hug you.” I’m doomed to avoiding him for the rest of the con, because he’s always wherever I am, charging at me with open arms, hugging me in elevators and moving at me to hug basically just wherever I go. It’s gross. He becomes known to my swiftly formed girl posse as The Hugger in the Hat. And when I say hugger, I mean full body contact with erect bits against my thigh. I don’t report him. I’m new to the scene. I feel awkward. I’m used to being harassed in the world. This is bad, but it’s not insane in terms of how much wrong attention I get from creeps in cities. So, I don’t report.

4. What Cherie Priest says in her post on this is true. We form protective posses. Descriptions of creepers are traded like cards. Women say things such as “Do you need back up when you walk through that room?” “What color is his shirt?” “Oh, I saw The Hugger In The Hat in there – I’m getting between you and him.”

5. Conversely, when I complained about The Hugger anecdotally to men, most of them said he was just clueless and didn’t mean to creep me out, and that if I was clear that I didn’t want to be hugged, I wouldn’t be, because The Hugger was a nice guy. Don’t get me wrong. Most men are great. But I think most guys have also not been witness to a lot of this. Creepers wait til you’re with your girls, or alone. Because Creepers calculate.

Both the actual harassement Maria Dahvana Headley experienced and the dismissal/justification of it should not happen. It’s 2013, not 1973 and even in fandom, even when you are a famous science fiction writer, this sort of behaviour is beyond the pale and we should not put up with it any longer. Nobody should have to worry about how and whether to file a formal harassement report against an editor when going to a con.

For those of us who aren’t douchenozzles, nor likely to be the victim of harassement, what we should do is watch out for it and be supportive, not dismissive, of those who do suffer from it. This can be hard, but that’s no excuse not to.

Things change

Some new horrible history I learned about today: forty years ago today In New Orleans, thirtytwo people were murdered through arson, in what was the largest mass murder of LGBT people in US history:

Just before 8:00p, the doorbell rang insistently. To answer it, you had to unlock a steel door that opened onto a flight of stairs leading down to the ground floor. Bartender Buddy Rasmussen, expecting a taxi driver, asked his friend Luther Boggs to let the man in. Perhaps Boggs, after he pulled the door open, had just enough time to smell the Ronsonol lighter fluid that the attacker of the UpStairs Lounge had sprayed on the steps. In the next instant, he found himself in unimaginable pain as the fireball exploded, pushing upward and into the bar.

It’s a horrible, upsetting piece of history, depressing even, but what is important is that it is history and things are getting better, as Joe Belknap Wall argues:

Forty years ago, when I was five, I was destined to be a victim, but things changed. We spoke up, sat in, made our points. Things changed.

Thirty years ago, when I was fifteen, I was destined to be a marginal citizen, but things changed. A disease came out of nowhere and shook the world, even as our President did nothing and said nothing, even as the population cracked jokes and shrugged it off and the preachers waved their crosses to stir up the hate, but we spoke up, stood fast, and made people see. Things changed.

[…]

Today, I am forty-five, and I am still a citizen without full protection under the law, but—

Today, I can marry in my state, and receive the protections accorded to the rest of my neighbors. If I fall victim to a crime driven by hate, it will be investigated. Few, if any, people will laugh and point and make a mockery of my basic human dignity. I am no longer required, by the dominant cultural norm, to be ashamed of who I am, and the people who once felt empowered to fuel the fires of hatred and intolerance are the ones on the run. The last of the churches built on foundations of hate are being deserted by their children, who were not raised with the old faith that had them accepting an injustice because they were told to, and the louder they get, the more they demonstrate that it’s all just a death rattle, destined to go silent as the older generations fade away, and the churches may yet turn back to the message of love.

When I feel that hot rush of rage, reflecting on what happened forty years ago today, I want to say “WE ARE COMING FOR ALL OF YOU,” but I don’t need to. The future is coming, and daylight and information wipe the world clean of those old, ugly falsehoods and make fools of those who used to get away with promulgating that fetid, soul-killing bullshit. There are miles to go on the way to a just, open, loving world, but we have come farther than ever before.

The trouble with Penny Arcade

It sadly does not come as a surprise that one of the Penny Arcade boys made some ignorant, transphobic remarks. This is not the first time either of them was caught saying something dumb and hurtfull, nor the first time that they dug in first rather than apologise and acknowledging that they’d done wrong. It’s not so much that they deliberately set out to provoke or hurt people but rather that they’re somewhat more ignorant about certain hot button topics than they themselves realise, nor all that used to being contradicted. So instead of backing down, they double down on the offensiveness instead.

Why this is may be explained by their own history. Jerry Holkins and Mike Krahulik were your typical gaming nerds that through a combination of luck and hard work managed to make what was just another gaming webcomic into a multimillion dollar business, themselves into nerd kings. They’re in a position where they rarely have to listen to anybody else, with an audience that actively sucks up to them and they have that typical nerd mentality of thinking they know everything about anything. It’s not full on Dunning Kruger, but it does mean they have trouble recognising their own ignorance at times. Which is deadly when it comes to these kind of indentity issues. What’s troubling is that they also seem unwilling to address their ignorance, preferring to just not talk about these things instead.

In conclusion, Penny Arcade is a land of contrasts, not willfully evil but perhaps willfully stupid.

Kim Thompson September 25, 1956 – June 19, 2013

The Fantagraphics website has the sad news that Kim Thompson has died. An excerpt from his obituary shows how important he has been for the development of comics as a medium suitable for actual adults:

Among Thompson’s signature achievements in comics were Critters, a funny-animal anthology that ran from 50 issues between 1985 to 1990 and is perhaps best known for introducing the world to Stan Sakai’s Usagi Yojimbo; and Zero Zero, an alternative comics anthology that also ran for 50 issues over five years — between 1995 and 2000 — and featured work by, among others, Kim Deitch, Dave Cooper, Al Columbia, Spain Rodriguez, Joe Sacco, David Mazzuchelli, and Joyce Farmer. His most recent enthusiasm was spearheading a line of European graphic novel translations, including two major series of volumes by two of the most significant living European artists — Jacques Tardi (It Was the War of the Trenches, Like a Sniper Lining up His Shot, The Astonishing Exploits of Lucien Brindavoine) and Jason (Hey, Wait…, I Killed Adolf Hitler, Low Moon, The Left Bank Gang) — and such respected work as Ulli Lust’s Today Is the Last Day of the Rest of Your Life, Lorenzo Mattotti’s The Crackle of the Frost, Gabriella Giandelli’s Interiorae, and what may be his crowning achievement as an editor/translator, Guy Peelaert’s The Adventures of Jodelle.

Fantagraphics as a publisher has been important both for publishing The Comics Journal, the foremost critical magazine about comics as an artform, medium and industry and for the comics they themselves published. Love and Rockets alone ensures it has a place in comics history, but even more importantly, it’s Fantagraphics that pioneered the model of how to be a successfull, literary comics publisher. Kim Thompson, with Gary Groth, was instrumental in doing so. Like Groth he was a comics fan who wasn’t content with just celebrating what comics had already achieved, but set out to lift up comics, to make it into what he knew it could be, as publisher, as critic, as translator. It’s a hell of a resume and his death is an incredible loss to comics.