golden retriever meets lost duckling — Skip to Loafer

Every Skip to Loafer review I’ve read uses this screenshot, so who am I to break a tradition?

Friendly Shima meeting a lost Mitsuki who imprints on him like a duckling on its mother as pictured in the background

It’s cute and it accurately captures the personalities of the two leads, which is why everybody has used it. Mitsumi is a book smart girl from the countryside, self confident until something goes wrong as it did here, while Shima is a good natured handsome boy, a golden retriever in human form to continue the animal metaphor. She is lost and confused, used to being a big fish (duck?) in a small pond, utterly defeated by the complexity of Tokyo’s public transport system. He on the other hand is just late because he got out of bed late, not too bothered by it. Infected with her urgency to get to the opening ceremony, the two race to school, just in time for the speech she has to hold as the representative of the first year students.

Shima and his old school friends sitting in a restaurant

what I like about the original Skip to Loafer manga was that it isn’t just the Shima/Mitsuki show. There’s large supporting cast that isn’t just there to provide rival love interests and each of the two leads has long established friends made before they came to their new school. Seeing this established in this first episode of the anime version leaves me confident that the staff adapting it understand the manga well enough. It was mostly about the childhood friend and family Mitsuki left behind this time, but I really liked the scene with Shima and his group of middle school friends as shown above. It was casual, but it shows an understanding of how these groups work.

Mitsuki's aunt

I also liked the anime version of Mitsuki’s aunt, Nao-chan. Anime doesn’t always have the best track record portraying queer, especially trans characters, but the show nailed it.

Edgy comedians

Because some dipshit Dutch comedian apparently had started whinging about how there’s no more edgy comedy because everybody’s getting CaNcElLeD, here’s that clip from James Acaster again:



What makes it even better is he’s doing it — accidentally or deliberately — decked out in the trans colours. He perfectly nails the attitude as well. The only thing missing from it is the self inflicted martyrdom.

That’s what annoys me the most, actually. “You cannot say anything anymore without being cancelled”, says the edgy comedian as he hosts his fifth comedy special on Netflix. People like Ricky Gervais, like Dave Chappelle want to do their lazy, racist, sexist, transphobic material and want to be praised for it. They want to be called brave but suffer no consequences for their ‘bravery’. Fearless speakers of truth, but the least criticism has them sobbing in the newspapers how unfair it all is.

For contrast, let’s look at a few relevant pages of Lenny Bruce’s Wikipedia page:

On October 4, 1961, Bruce was arrested for obscenity[45] at the Jazz Workshop in San Francisco, where he had used the word “cocksucker”, and said that “to is a preposition, come is a verb”; that the sexual context of ‘come’ was so common that it bore no weight; and that if someone hearing it became upset, he “probably can’t come”.[46] Although the jury acquitted him, other law enforcement agencies began monitoring his appearances, resulting in frequent arrests under obscenity charges.
[…]
On December 5, 1962, Bruce was arrested on stage at the Gate of Horn folk club in Chicago.[48] That year, he played at Peter Cook’s The Establishment club in London, and in April the next year he was barred from entering the United Kingdom by the Home Office as an “undesirable alien”.[49]

In April 1964, he appeared twice at the Cafe Au Go Go in Greenwich Village, with undercover police detectives in the audience. He was arrested along with club owners Howard and Elly Solomon, who were arrested for allowing an obscene performance. On both occasions, Bruce was arrested after leaving the stage.[46]

A three-judge panel presided over his widely publicized six-month trial, prosecuted by Manhattan Assistant District Attorney Richard Kuh, with Ephraim London and Martin Garbus as the defense attorneys. Bruce and Howard Solomon were found guilty of obscenity on November 4, 1964. The conviction was announced despite positive testimony and petitions of support from—among other artists, writers and educators—Woody Allen, Bob Dylan, Jules Feiffer, Allen Ginsberg, Norman Mailer, William Styron, and James Baldwin, and Manhattan journalist and television personality Dorothy Kilgallen and sociologist Herbert Gans.[50] Bruce was sentenced on December 21, 1964, to four months in a workhouse; he was set free on bail during the appeals process and died before the appeal was decided. Solomon, the owner of the club where Lenny was arrested, later saw Bruce’s conviction overturned.[51]

Now there’s a real edgy comedian.

Visiting another world does wonders for your skin

Fellas!

Are you a disgusting, fat slob that’s bullied every day by your school mates, your family, every two bit punk you meet on your way home when trying to help a girl escape from them?

The protagonist as he was: fat, short, bleeding from being beat up, depressed

Do you want the body of an athlete and the face of a male model instead? Help is on the way! One word can change your life forever: ISEKAI!

The protagonist after visiting the other world: handsome, tall, abs you could grate cheese on

Yes, isekai. If you’re a hopeless nerd with an unattractive physique and people use that to bully you, there is hope. Get yourself a kindly grandfather who leaves you his home after he dies and then, when you’re in the pits of despair, hit your bathroom mirror so hard it reveals a door to a secret room. There you will find another door that leads to another world, which atmosphere is so powerful that spending less than a day there will transform you from has-been to he-man! Juast ask Tenjou Yuuya (pictured above), the protagonist of the far too longwinded titled Isekai de Cheat Skill o Te ni Shita Ore wa, Genjitsu Sekai o mo Musou Suru: Level Up wa Jinsei o Kaeta series of light novels, manga and now anime.

Yes, this is very much the sort of power fantasy where the ugly duckling bullied kid becomes a chadly swan and takes his rightful place among the elites. As with most of these stories, you get the impression that the real outrage is not that there’s a system in which some people can bully others but that it’s this particular person that gets bullied. That Yuuja’s reward for having been bullied is becoming a super stud through no effort of your own, with a bunch of neat isekai powers and items included as well, implies the system works. Just be patient and you too might receive super powers.

What saves it is that Tenjou isn’t out for revenge and still is the same kind person he was from before his transformation. Nor does he effortlessly lose his fear of the bullies that tormented him for so long. This is still a power fantasy, but one I can enjoy relatively guild free.

Ryuichi Sakamoto 1952 – 2023

Anime News Network reports that musician and composer Ryuichi Sakamoto passed away on the 28th of March. He was a composer for several classic anime movies including Wings of Honneamise and Appleseed as well as one of the members of Yellow Magic Orchestra, a pioneering Japanese electronica music group. I only discovered the YMO last year, when feeling nostalgic for Hibike Euphonium I went to watch clips of the music performances in it and found this clip again:



Until then I’d always thought that it, like much of the other music in it, had been composed for the series, but the comments on it showed that it was actually a rather well known song. So I finally googled it and found out it was a Yellow Magical Orchestra song. Hibike Euphonium just turned it into a marching song. Having finally heard the original that turned out to be excellent as well.



This is of course just the tip of the iceberg with regards to Ryuichi Sakamoto’s work. But without this song having been used in Hibike Euphonium, I might’ve never heard of him or the Yellow Magic Orchestra and that would’ve been a pity.

Incel romance? — Boku no Kokoro no Yabai Yatsu

Edgelord has murderous fantasies about his class mates, especially about the most popular girl in his class.

The half naked corpse of his classmate with stylised blood flowing out of her while sakura petals flutter by. The subtitle reads: her body belongs to her killer.

And then he discovers she’s a egocentric, clumsy airhead who doesn’t know how to read the room and all his hatred and anger evaporates.

Yamada with chocolate crumbs around her mouth tells that she eats what she wants to eat when she wants it and looks smug about it.

A loser protagonist discovering the class idol’s hidden imperfections is a staple of anime romcoms of course. What’s new is our protagonist being, well, an incel. The heroine having to prove her humanity so that the protagonist doesn’t murder her isn’t as sweet as “she’s actually very shy rather than cool and only he knows it”. It would be horrible to start a romantic comedy this way. Boku no Kokoro no Yabai Yatsu‘s setup therefore had me anxious. Luckily it turns out the protagonist, Ichikawa Kyoutarou, is not so much an incel as a chuuni. He has his fantasies but they feel as unrealistic as somebody who’s worried the dragon sealed away in his left hand will awaken. It helps that the anime doesn’t dwell on them.

The impression I got from this first episode was that there was more to Ichikawa’s obsession with Yamada Anna than her status as the prettiest girl in his class. It felt more personal; there were hints at a backstory that might explain it. for a start, he is much too protective of her. Twice this episode he did something self destructive to get her out of an unpleasant situation. You don’t do that for somebody you only started liking because you caught her eating crisps in the school library. He went from would-be killer to protector far too quickly.

We haven’t gotten much insights into Yamada so far. We don’t even know if she’s really the class idol Ichikawa thinks she is. She doesn’t seem to be that different with her friends than when he caught her alone. Has he just built her up in his head to be this amazing cool person? It will be interesting to see what the series will make of this, and some of the small hints that Yamada too had her eye on Ichikawa.