Watching too much slice of moe

The real world may have been a scary and distressing place this year, but in anime 2018 was remarkably cozy.

Yuru Camp: Secret Society BLANKET spreads its influence further

This was a good year for slice of moe series, those shows that focus on the everyday life of usually high school girls (rarely high school boys). When I first started watching seasonal anime a few years ago and started watching everything I assumed these series were made for girls, because that’s what you expect from shows populated almost exclusively with women, don’t you, coming from a western perspective? Anime fandom however quickly made it clear that all those “moeblob shows” were aimed at gross otaku manchildren and you shouldn’t admit too loudly to watching them. Luckily that view is slowly changing as more people lose their hangups about what counts as respectable anime. For me this sort of show probably fuctions like a sort of ersatz emotional labour, getting to relax and unwind by watching anime girls going camping or cheerleading or even going on a trip to Antarctica.

Sora yori mo Tooi Basho: penguin love

Sora yori mo Tooi Basho was not just the best slice of moe show this year, but immediately became my favourite anime of the year and despite stiff competition, hasn’t shifted from that spot. What started out as a light hearted adventure about a girl who realises she never had a big dream and she’s already in her second year in high school in the end turned into a study in grief and processing it. Watching it week by week was cathartic, leaving me on the verge of tears almost every episode. For obvious reasons female friendship is a theme in most slice of moe series, but it’s rarely done as convincingly as it was done here, with four girls at first united only by their desire to go to Antarctica becoming close friends over the course of the series, growing up week by week as they tackled the challenges thrown at them. Such a female centered coming of age story is rare and one told as well as this, even rarer. It was also incredibly funny, which is always a bonus.

Winter 2018 was in any case a strong season for slice of moe shows. Besides Yorimoi there was Ramen Daisuki Koizumi-san, about a girl who loves eating ramen and her friend/stalker who loves her very much, Mitsuboshi Colors, about three elementary school girls/shitlords playing around and bullying their local police officer, Slow Start, about a girl who had to skip a year between middle and high school and is terrified people might find out and Hakumei to Mikochi, two literal little women being only a few centimers tall living together in a magical world. But the best of them all was Yuru Camp. Incredibly well animated as you can see above, funny, but above all warm and cozy. You have this one girl who likes being on her own, going on solo camping trips meeting another girl, energetic and outgoing who becomes her friend and also takes up camping, joining their local school’s outdoors club. And where most series would’ve the first girl join as well, this never happens in Yuru Camp: her desire to be left alone from time to time is completely respected. Instead you get a much more realistic view of friendship, where not all the characters are friends, but some are friends of friends, people you’re friendly to but not necessarily are friends with. It was great seeing the friendship and perhaps something more bloom up between the two main characters and all the camping related stuff was fun and reminded me of going camping myself.

The rest of 2018 was less strong, but there were still a few standout shows. Comic Girls was a show about an anxiety ridden high school mangaka who on the suggestion of her editor starts living in a dorm with three other high school mangaka. Equally insecure and thirsty, Kaos was actually a thinly disguised, hopefully exaggerated version of the original manga’s creator. Most of the show was well animated, fluffy fun as expected from a Manga Time Kirara adaptation, but Kaos’s anxiety is handled seriously even when it’s the source of much of the humour in the series. The same goes for the attraction Kaos has for one of her dorm mates: she’s incredibly thirsty about it, but that attraction itself is never ridiculed. It’s this hidden seriousness that makes this a better series than something like Slow Start, which may seem very similar at first blush. Not that the latter is bad, it just misses some of the bite of Comic Girls.

Another standout this year was the third season of Yama no Susume, the half length anime about school girls going mountaineering. In the previous season they had tried to climb Mount Fuji, but our main protagonist,Yukimura Aoi, failed; this season was all about preparing to try again, probably next season. What also drove this season was that her best friend Kuraue Hinata was getting jealous of the new friends she made climbing mountains. It had been Hinata who’d introduced Aoi to the sport in an attempt to draw her out of her shell, but now that she was becoming less shy and actually making friends without her, Hinata became a bit jealous, feeling left out. As you can see from the clip, you don’t need narration to understand something is going on between these friends. That’s always been the greatest strength of Yama no Susume, its incredible character animation and gorgeous scenery.

On the other end of the spectrum we have a series like Anima Yell!, another Manga Time Kirara four panel manga adaptation, with decidedly ‘cheap’ animation, proably because the studio responsible, Doga Kobo, was also busy with a higher profile series the same season. Even a showcase set piece like the clip above isn’t as good a similar clip from any of the series mentioned here. There are a lot of static shots, lots of talking heads and other less obvious ‘cheats’ to simplify the animation. It also lacks some of the depth of the other series, this is based on a four panel gag manga after all and in the first episode especially you could almost see the panels. As such it’s arguable a much more representavive example of a slice of moe series than something like Yuru Camp or Yorimoi. But, it’s a fun series with fun characters, a bit of yuribaiting and it was one of the series I’d always watch first the day it came out. And that’s the real strength of slice of moe shows; they’re almost always a fun time, something bright to look forward to each week even when you don’t have enough energy for something more demanding.

This is the tenth post in this year’s twelve days of anime challenge. Tomorrow: Watching too many kids shows.

Winter 2018 anime roundup

Winter 2018: cosy as fuck.

Yuru Camp: Secret Society BLANKET spreads its influence further

The two best series this season for me were Sora yori mo Tooi Basho, which shouldn’t surprise anybody reading this, and his, Yuru Camp, which was the coziest of all the super cozy shows this season. It was great to have so many great shows that you could wrap around yourself like a comfy blanket during the bleakest months of the year, when Christmas is just a memory and spring is still so far away. These two shows especially were a great antidote against the winter blues, but there were others.

Mitsuboshi Colors: kill the police (with rocket launchers)

Mitsuboshi Colors was another highlight of the season, a show about three little girls protecting their home town, getting up to mischief and shouting poop a lot. Well, only one of them does to be honest. Coming out on Sundays as it did, this was always a good way to end the weekend. I find myself not laughing at most anime humour, but this series made me laugh out loud multiple times each episode. It’s not just that it has good jokes, it’s that the jokes flow naturally from who those girls are: the crybaby, somewhat anxious leader, the cheerful, energetic poop shouter and the always gaming brainy of the three, who’s actually bad at gaming. They get into those huge adventures based on complete misunderstandings that’s very much like how real kids that age think.

Kokkoku: the importance of family

Kokkoku is not cozy at all, but a supernatural horror thriller. It’s the best of all the edgy thriller series —Killing Bites, Hakata Tonkotsu Ramens, Garo— that ran this season, but what makes it special is the protagonist. Yukawa Juri is a graduate looking for a job at the start of the series, fed up with her hopeless family. Said family is an unicum in anime, being a multigeneral, working class family when most anime families are comfortably middle class at worst. Her father is unemployed and has given up looking for a job, her mother works as does her older sister, who is also a single mother, having gotten pregnant with no intention to marry the father. Her brother is a NEET while her living in with them grandfather is retired and the most sensible of the adult men. Which leaves her nephew, who is described as the last hope for the family. So when he’s kidnapped and they have only an hour to get the ransom money, granddad bust out the family secret: the ability to stop time. It’s mostly Juri and her granddad taking the initiative and Juri especially grows through the fight to save her nephew, in the process bonding closer with her family. It’s not perfect, because it has a shitty, fanservice ending theme that has nothing to do with the actual show and the first few episodes are filled with random thugs threatening to rape Juri if they catch her, but its good points outweighted the bad for me. And the opening is crazy good.

Koi wa Ameagari no You ni: Tachibana Akira

You may be forgiven for having skipped Koi wa Ameagari no You ni as it seemed to be about the one side love of this girl, Tachibana Akira for her fortyfive year old manager at the family restaurant she works for part time. Throughout the series there was this anxiety that this crush would morph into a genuine romance between the two, that it would become creepy propaganda for the idea that it’s perfectly normal for a fortyfive year old man to have a relationship with a teenager, not to mention he’s her boss too. Luckily though it never did; instead this was a story about two broken people finding some level of support in each other and getting their lives back on track. Akira herself had an achilles heel injury that stopped her from running track, getting to grips with her injury and the possibility of getting back to running, while her manager, Masami Kondou, used to be a writer in college and one of his friends is actually a succesful author, so he has to deal with his frustrations and regrets in not being able to do the same. Though the story is nominally about Akira, it’s actually Kondou whosee development is centered the most. A somebody who has been thirtytwo for a while now, I can appreciate this.

Hakumei to Mikochi: so too a couple

Despite being disappointed in the series vehement denial that its two main characters are a couple, I really liked Hakumei to Mikochi. There was something very comforting in watching the small adventures of these little (nine centimetres) women every Friday afternoon after work had finished for the week. The world they live in is one of grumpy construction foreman weasels and moe beetles wanting to see what life in the big city is like, where there are steam trains but no electric lights, a sort of non-distinct past of just enough technology to be cozy. It’s the perfect series to relax with.

There are many more anime I’ve watched this season and liked, but these are my top five of the season, other than Sora yori mo Tooi Basho.

Time for a victory lap — Yorimoi ep 13

It’s only fitting that Sora yori mo Tooi Basho would keep its most important event for the last episode:

Sora yori mo Tooi Basho: penguin love

That’s right, Shirase finally gets to spend quality time with penguins. Even if they stink. She deserves it, after all heavy emotional shit of episode twelve. In that respect the final episode is more of a victory lap than anything else. The series did what it set out to do and did it perfectly, everything what happens now is gravy. But of course as this is the final episode and the four have to go back to Japan, it’s also a bittersweet, melancholy farewell to Antarctica for them and for us.

Sora yori mo Tooi Basho: not so cute anymore

The episode starts with Kimari and Hinata on day duty, in a montage of routine jobs that show how well the four of them have been integrated into the expedition. As the woman complains above, they were so cute when they first came over and now look at them. They’ve grown up, though in Shirase’s case she’s grown up to be an absolute demon of a mahjong player.

Sora yori mo Tooi Basho: do we have to leave

During one of their last outings, Kimari gets a bit melancholy and asks why they have to leave now, why they couldn’t stay over for the winter. In a normal anime this would be the conflict driving this episode, especially since we had Yuzu, Hinata and Shirase all confronting their own personal demons and overcoming them, so it’s only fair for Kimari to get her turn. But with Yorimoi it isn’t necessary, because Kimari in many ways is the most stable of the four, having already achieved her goal of making the most of her youth by going on the expedition. So here it only takes a finger flick of Hinata to set her straight again.

Sora yori mo Tooi Basho: baseball

So instead we get a spot of baseball, without which seemingly no anime series is complete. And it’s the unstoppable pitcher Gin pitching to Shirase, daughter of Takako, the only person to have ever hit her throws. And of course Shirase manages as well. It’s a warming scene, another victory lap.

Sora yori mo Tooi Basho: symbolic haircut

And then we get another haircut, as in the previous episode, but now it’s Shirase who gets hers cut, not by Kimari thank you very much. It’s of course very much symbolic of letting go of the past and the passions that drove her. And of course it reminds Gin of Takako, who had the same brilliant, dazzling smile as Shirase now sports.

Sora yori mo Tooi Basho: crying at saying goodbye

Just in time for the official farewell party for our four high school girls and you’re not crying, they’re crying. But they’re happy tears and it’s a sentiment I very much share. The summer expedition was a success, as was the experiment to take the four on the trip, everybody has overcome their personal demons and even if they’d never meet up again they’ve forged a true friendship between the four of them. It’s a happy ending, their stories told, now they just need to get home.

Sora yori mo Tooi Basho: auroa

As they leave, Shirase hands Gin her mother’s laptop, having no need for it herself. It’s a gesture that shows how much they’ve grown towards each other. When they prepare for a final broadcast aboard the ship taking them out from Antarctica, Shirase is back to her nervous, stiff self. Until Kimari looks up and sees the last thing they wanted to see. The aurora. Meanwhile, over at the expedition base, Gin looks at Takako’s mail and sees one message left in her outbox, a message from three years ago, and she sends it on to Shirase. It was the last time in the series that I felt the tears coming up again. It should’ve been corny, too on the nose, but the series has earned it.

Sora yori mo Tooi Basho: auroa again

Finally, after everybody has gone their own way, Kimari has gotten home, been welcomed by her family and texts Megu-chan, her best friend, who tried to break up with her in episode five. It’s then that the series plays it final troll, as Megu-chan reveals that she’s not there, but actually in the Arctic! A fitting end for a great, emotional series that was as funny as it was cathartic. Unlike Yuru Camp, there’s no need for a second series, as it told the story it wanted to tell, but boy would I love to see those characters again. Ten/ten, best anime of the season, if not the year.

Sora yori mo Tooi Basho: treasure

The Place further than the Universe — Yorimoi ep 12

With episode 12 we reach our destination, the end point the series has been working towards since Kimari met Shirase for the first time, the place where Shirase’s mother was last seen alive and you’re not crying, I’m crying.

Sora yori mo Tooi Basho: not a good start

When an episode foregoes the normal opening and ending theme, you know it’s going to be something special, that it needs all the space it can get in its twentythree minute runtime so even the three minutes spent on them is begrudged. And starting with a flashback to Shirase in middle school, you know exactly what this episode is going to be about. For most of the series the fact that Shirase’s mother had died on the previous expedition had been easy to ignore as anything other than the motivation driving her to go to Antarctica herself. It’s only when she was talking to Gin, her mother’s best friend, that some of the reality of what her death meant to Shirase slipped out. But now the expedition is going back to the last place where Shirase’s mother was seen alive and Shirase is unsure whether she wants to go there.

Sora yori mo Tooi Basho: I was convinced that when I arrived in Antarctica, I would start crying

When Shirase only response to Gin’s offer to take her to the place where her mother died is that she’ll think about it, her friends start worrying about her again. But they’re not quite sure how to talk about it. Finally, as they’re preparing dinner together, Shirase starts to explains how she’s feeling. That’s she’s not particularly sad or upset like she thought she would be if she went to Antarctica.That she feels too normal even, the only things she can think of being that, ah, it sure does look a lot like the pictures. In fiction grief is always shown as this incredibly emotional process, full of crying and huge emotional outburst, but the reality is that it can often leave you feeling numb, as Shirase is here, unsure of what to do.

Sora yori mo Tooi Basho: but your mother is waiting for you

It’s not surprising that it’s Kimari who keeps pressing Shirase; she’s still the closest to her and certainly the most tactless, blunt of the four. She reminds her of the sacrifices she made to come here, how hard she worked to get on the expedition. How she talked about how her mother was waiting for her in Antarctica. She’s so blunt that both Hinata and Yuzu feel compelled to stop her.

Sora yori mo Tooi Basho: but once we get there, there is nowhere left to go

Shirase knows all that, she knows that it would be strange to stop now she has come so far in search of her mother. But. But once they get there, there’s nowhere left to go. That it will be the end and if nothing changes, she’s afraid she’ll keep feeling the way she does right now. Still waiting for her mother, still unable to process her grief and get closure. This was the first time I felt the tears threatening to come out, just as Shirase’s friends felt hearing that. We’ve seen it in flashbacks, we’ve heard her talk obliquely about it with Gin, but this is the first time that Shirase admitted to her friends how difficult she has found it to cope with the death of her mother.

Sora yori mo Tooi Basho: we are good friends

What I really appreciate about Sora yori mo Tooi Basho is that even in this episode the mood is not kept unrelentlessly sombre. There’s still room for humour. When Shirase doesn’t show up for the barbecue to celebrate the upcoming trip to the observatory site, one of the adult expedition members asks the other three if they don’t feel the need to talk to her about it. Hinata replies that sometimes you need to give somebody the space to decide for herself. To which the woman replies that it’s a sign of a good friendship that you can give each other space like this. Cue a happily beaming Yuzu: “We’re good friends!”

Sora yori mo Tooi Basho: counting the effort

After another heart to heart with Gin, where they both share their sorrow about Takako’s death and how you can talk about dying wishes and doing what she wanted, but you can never be sure, Shirase has a sleepless night thinking about what to do the next day, if she’s going or not. She takes out her treasure, that one million yen that set everything in motion back in episode one and lies the bank notes down. “Cleaning. Cashier. Moving. Newspaper delivery.” Each not laid down is testament to Shirase’s efforts to go to where her mother is, knowing full well she won’t be seeing her alive. In doing so, she regains the determination to take that final step and she joins the expedition to the observatory site. Again a scene which I felt tears threatening.

Sora yori mo Tooi Basho: hammering in a nail with a frozen banana

Speaking of humour: Hinata and that bloody frozen banana. With Shirase’s indecision resolved, the trip to the observatory site is relatively free of the tension of the rest of the episode. Instead we get a bit of a respite, as the girls’ usual routines restablish themselves during the trip, hours of slow travel during which they have nothing better to do than play cards. Inbetween reminders of how deadly Antarctica can be, as the expedition crew explain how easy it would be to never get back during a blizzard. They also spot a sun pillar, which looks a bit familiar.

Sora yori mo Tooi Basho: lost in a blizzard

As the expedition settles in for the night and a blizzard rages around them, Shirase asks Gin how this is how it was like when her mother disappeared. Gin then tells her the story of how her mother was walking behind her, she suddenly realised she was gone and how they searched for her to no avail. It’s another emotional conversation between the two, but it’s clear to see how much they’ve both grown towards each other in these, how much more at ease they are with each other even during such a heavy conversation. The same goes for the chat Shirase has with Kimari later that night, who thanks her for taking her to Antarctica. Thanks to her, Kimari got the most out of her youth. It confirms to Shirase that she’s no longer alone, that she no longer needs to be alone, but has friends who can she can share her burdens and her joy with.

Sora yori mo Tooi Basho: evidence of mother

And when they finally arrive at the observatory, it’s her friends that don’t take no for an answer, who go looking for something, anything as proof that Shirase’s mother, that Takako had been there. Shirase herself says it’s unnecessary, that it’s okay but they persist. Kimari is the most insistent, but it’s Hinata who finds what they’re looking for: a completely frozen over laptop. She hands it to Kimari, who wipes off the ice to find a picture on the laptop lid, a picture of Takako and Shirase, one that must’ve been taken by Gin. They hand it over to Shirase, smiling and tearing up at the same time and so am I.

Sora yori mo Tooi Basho: you got mail

And then they’re back at base and Shirase is in her room, trying to start up her mother’s laptop and it boots. After one failed attempt, she enters her own birthday as the password and it opens, the email programme starts up and it starts receiving mails. And it’s all the mail she had sent to her mother, starting from when she was still alive and they keep on coming, a hundred, two hundred, five hundred, well over a thousand. And Shirase let’s out a strangled sob and starts crying, as do her three friends waiting for her in the hallway. As did I, the moment I saw that first mail being received. That’s grief in the digital age. Click back in your own mail archives far enough and see the (unread) mails of a loved one that had died, or check their own mail account and see the spam and mailing list messages still come in years after she died. It’s heartbreaking, one of the most emotional moments in anime I’ve ever seen.

Sora yori mo Tooi Basho: we are back

This episode could’ve so easily been smaltzy or overtly dramatic, but it completely succeeds in both showing Shirase’s grief, her friends compassion as well as the more subdued sorrow of Gin and Kanae, coming back to the place where they lost their best friend. In writing this post, I’ve rewatched this three-four times and the feelings it stirs are still the same. As good as the rest of the series had already been, had this gone wrong it would’ve doomed it entirely. But it stuck the landing and the last episode can be the victory lap. This is already a 10/10 anime, anime of the season, a modern classic.

Real friends don’t leave you alone — Yorimoi 11

In the previous episode Kimari was so foolish to take off her face mask outside. This episode she learns that her friends will laugh at her for getting a ridiculous sunburn in Antarctica. (As will her family later.)

Sora yori mo Tooi Basho: sunburn is funny

It’s almost New Year’s Eve and the Antarctica expedition has set up a live stream connection to Japan. During the test setup, three friends of Hinata show up, which she’s surprised about until she sees them on screen, after which she immediately covers the camera and claims a cramped leg, running away from the test. After the opening, we cut to an interlude with Gin and Kanae as they discus having the final piece of equipment needed to start working on the observatory Takako wanted to create and how dangerous the place is where they want to set it up, as that’s where Takako died. The next scene has the girls stamping new year’s card for their friends and family at home, but Hinata only has one for her manager at the convience store. When questioned about it, she ran off to the toilet, Shirase following here and discovering her outside, expressing her rage.

Sora yori mo Tooi Basho: piss off

Throughout this episode it’ll be Shirase who keeps pressing Hinata, as she also did in episode 6, when Hinata had lost her passport and Shirase was adamant to reschedule all their flights. She keeps asking Hinata what’s wrong, keeps worrying about her, doesn’t let up until she knows what’s going on and insists on helping her once she knows what happened. It’s fitting that it’s Shirase who’s helping Hinata here, what with her somewhat blunt and plenty stubborn personality. Yuzu is too quiet and perhaps not socially clued enough for it and Kimari tends to accept people at face value, though as we saw last episode with Yuzu, she can be clueful when she wants to be.

Sora yori mo Tooi Basho: the daughter of Gin and Takako

Before we get into the meat of Hinata’s problems, a quick but important detour. Shirase plays mahjong with Kanae, Gin and another woman and wipes the floor with them, prompting Kanae to ask if she played it with her mother. When Shirase answers that she did, she mock despairs and says that they cannot win against the daughter of Gin and Takako. It’s only an offhand, joking remark, but combined with what we saw in episode nine it’s not hard to believe there’s a kernel of truth in this. Gin and Takako at the very least were best friends, might’ve been romantically engaged and Takako made a point of involving Gin with Shirase.

Sora yori mo Tooi Basho: were we friends

When a mail to Shirase comes through on the station’s general mail account, Shirase hears about it during the mahjong game and decides to read it and is caught doing so by Hinata and the others. Though feeling guilty for having done so, she still pressures Hinata into telling them what’s the matter, telling her she worried about her. So Hinata tells how she got ostracised at the track club for being selected for the big meet over the third years, how she quit the club but kept spreading rumours, which is why she dropped out of high school. That now the people who dropped her when she came under fire wanted to make up now she had gone to Antarctica.

Sora yori mo Tooi Basho: it means nothing

The atmosphere among the four girls the next day is tense, as everybody is reflecting on Hinata’s story and feeling sad for her. Which in turn prompts her to call them out on it. Why do you think I went to Antarctica? Because there’s nothing here and all those problems mean nothing here, she says. This convinces Yuzu and Kimari, who are glad to forget about it if that’s what Hinata wants. Shirase though is not convinced. She knows better than the others how Hinata acts, prefering to keep up a brave face and forget about her worries, rather than having to burden other people with it.

Sora yori mo Tooi Basho: thanks for bringing me along

Shirase confronts Hinata again in private, saying that she couldn’t stomach it, smiling to people who hurt her so, who suddenly wanted to apologise without acknowledging what they’d done. Hinata answers that she isn’t Shirase though. Though she says that Shirase’s insistence and pushiness is annoying, it’s clear that she’s touched by her friend’s devotion and anger for her. She thanks her for bringing her along to Antarctica and that her hands and support are enough for her.

Sora yori mo Tooi Basho: super amazing fun time

And yet… Shirase still isn’t convinced. Just before the actual broadcast begins, she asks to speak to Hinata’s “friends” and starts laying into them for expecting Hinata to be upset and permanently damaged by her experiences, but that this wasn’t true, that every day she was taken a new step into a new life At first shocked, Kimari joins in, saying that now she was in Antarctica doing things they could never dream off and that she didn’t need them anymore.

Sora yori mo Tooi Basho: super amazing fun time

As Hinata, slightly embarassed, tries to cut Shirase off, Yuzu is having now of it. “It’s fine! It’s friendship! A nice reminder of last episode and how much of a pure cinnamon roll she is. Shirase continues by stating that, unlike Hinata, she’s a real jerk and not afraid to let them know how unwelcome they are for hurting her friend. Everybody starts crying, seeing Shirase defending her friend so forcefully, but they’re mostly happy tears. It’s only fitting that after such a draining, emotional scene, the episode ends as the year ends and the four bash away their bad thoughts the traditional Japanese way, by hitting a drum can with a wooden beam:

Sora yori mo Tooi Basho: bash away the bad thoughts