Trading in Danger — Elizabeth Moon

cover of Trading in Danger


Trading in Danger
Elizabeth Moon
506 pages
published in 2003

Reading Sheepfarmer’s Daughter gave me a taste for more Elizabeth Moon. Trading in Danger, the first book in the Vatta’s War series was what the local library had available. It’s science fiction rather than fantasy, but it’ll do. It’s still the same sort of adventure story even if the genre has changed. The other thing they have in common is familiarity, both are coming of age stories with few surprises, but sometimes familiarity is just what you want in a story.

Ky Vatta is a cadet at the naval Academy, an unusual career choice for a child of one of the great trading families. She’s an examplary cadet, but this doesn’t save her when an impulse to help a fellow cadet lands her in the shit. Expelled from the academy, she now has to face her family. Worse, because it’s a highly politicised mess she found herself in, she also has to leave Slotter Key, her home planet. Worst of all, the reputation she has in her family as a sucker for anybody with a sob story is once again confirmed, in the worst possible way. The solution to all her problems lies in an old Vatta family tradition, that sends any child wanting to join the family trade on a shakedown cruise first. She will captain the Glennys Jones, an old trading ship on its last voyage which will be sold as salvage at the end of it, as it’s too expensive to bring up to modern standards. This trading trip will take a couple of months and at the end of it Ky will be able to come home, having proven herself as a captain. As importantly, it will also get her away from her own humiliation.

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Golden Witchbreed – Mary Gentle

Cover of Golden Witchbreed


Golden Witchbreed
Mary Gentle
460 pages
published in 1983

It was the beautiful Rowena cover that got my attention, a long long time ago when I was browsing the English shelves at my hometown’s library. Showing a blonde woman in jeans and fur cape, armed with a stave and linking fingers with an obviously alien six fingered man, two swords at his side. That intriqued me, it promised both adventure and romance and it got me to pick up the book and that was how I got to know Mary Gentle. I’m not sure how old I was, but I must’ve been no older than sixteen-seventeen and Golden Witchbreed was arguably the best novel of hers I could’ve started with, much more easier to get into than most of her novels would turn out to be. But though I loved it when I read it and remember it fondly, I haven’t read it since. Which was why I put it on the list for my Year of Reading Women project. I wanted to know if the book I remember was still as good as I remember.

Golden Witchbreed I remembered as a planetary romance, emphasis on romance. It starts with the cover with the two lovers holding hands. The woman on the left Lynne de Lisle Christie, envoy from Earth to the primitive, medievaloid world of Orthe, there to represent both Earth to the Ortheans and to judge Orthe on its fitness to trade and partner with. The Orthean she holds hands with therefore should be her alien lover, Falkyr. I remembered their romance as central to the plot, the circumstances in which it took place ultimately forcing Christie to go on the run and having to travel through most of the civilised lands of Orthe. Apart from that recollections were hazy.

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Barbarian Migrations and the Roman West — Guy Halsall

Cover of Barbarian Migrations and the Roman West


Barbarian Migrations and the Roman West 376-568
Guy Halsall
591 pages including index
published in 2007

I spent the week between Christmas and New Year’s Eve with my parents in Middelburg and took advantage of this visit to check out the town’s library, which used to supply most of my reading back before I moved to Amsterdam. It turned out to be an wise decision as less than an hour browsing found half a dozen excellent history books to read, including this one. Guy Halsall is an author I had just seen slagged off by Peter Heather in his book Empires and Barbarians for being Completely Wrong about the impact of barbarian migrations on the late Roman Empire. This piqued my interest to see how exactly Halsall’s interpretation of the end of the Roman Empire differed from Heather’s views and if Halsall’s explanations make any sense on their own.

To my not inconsiderable surprise, it turned out that the story Halsall puts forward in Barbarian Migrations and the Roman West 376-568 does not differ quite so much as Heather made it seem. They don’t so much disagree on what happened as on why it happened and on where the emphasis should be placed. To keep it simple, Heather believes barbarian invasions are the cause the collapse of the Roman Empire in the west, while Halsall argues they are an effect of the collapse. It was the weakness of the western empire that made possible the barbarian takeover of various provinces. Another major point of disagreement is on the composition of the “barbarian hordes”: Heather has argued that the more classical image of entire population groups invading the empire is largely correct, with caveats, while Halsall sees them more as proper armies rather than tribes. Ultimately these differences in intepretation however for me were less important than the sheer quality of Halsall’s history.

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Book loot

Books bought yesterday, top to bottom:

bunch of books

The Dancers of Noyo — Margaret St. Clair
City of Illusions — Ursula Le Guin
The Dolphins of Altair — Margaret St. Clair
A Heroine of the World — Tanith Lee
Needle in a Timestack — Robert Silverberg
Planet Run — Keith Laumer & Gordon Dickson
Courtship Rite — Donald Kingsbury
The Martian Inca — Ian Watson

The last one I got because of Adam Roberts’ reviews of Ian Watson’s books over at Punkadiddle. Watson is one of those writers I read a lot of when younger just because the local library had so many of his books, then sort of lost sight of afterwards. The same goes for Tanith Lee. The Le Guin I had a long long time in Dutch, but never read as far as I know. One of her early works.

Margaret St. Clair is a writer who has been largely forgotten it seems like; what I’ve read of her I liked. I also got these books to review for Ian Sale’s SF Mistressworks site.

Finally I buy anything Silverberg or Laumer has done, though with the latter everything after 1971 or so isn’t very good. Sadly Laumer got a stroke that year, lost most of his writing abilities and never was the same afterwards. he had to keep on writing though to pay the bills, but that doesn’t mean you should buy them…

A Point of Honor — Dorothy J. Heydt

Cover of A Point of Honor


A Point of Honor
Dorothy J. Heydt
302 pages
published in 1998

A Point of Honor is the seventh book I’ve read in my Year of Reading Women challenge and the first I’ve read before. When I was setting up my reading list last year I wanted to include not just feminist sf classics or books to challenge myself, but also some old favourites that deserve a wider audience, of which this is one. I had read A Point of Honor when it was published back in 1998, after it had gotten some buzz on the old rec.arts.sf.written Usenet group, back in the day when that was still the number one science fiction hangout on the internet. The author herself was one of the group’s regulars, well respected and liked, one reason why I tried out her novel. This wasn’t the first nor the last time I did that: other writers I got to know through rec.arts.sf.written were Jo Walton, Brenda Clough and Matt Ruff, to name just three.

A Point of Honor is one of only two novels Dorothy Heydt wrote, the other being The Interior Life, a fantasy novel she wrote under the pseudonym of Katherine Blake. Apart from that she has only written short stories, some two dozen in total, the last ones a couple of years ago. None of her work is currently in print that I know off. A pity, but unfortunately an all too common fate for science fiction writers as their books for one reason or another fail to reach an audience. Which is another reason why I wanted to talk about this book, to bring some attention to an unfairly overlooked writer and do for A Point of Honor what Jo Walton did last year for The Interior Life.

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