Books read June

finally some process on the bookreading front, with twelve books read this month, four finished yesterday, thanks to S. having to have her operation and me therefore hanging around the hospital with nothing to do but read. Gender wise, it’s six male writers (Neal Asher turning up twice) versus four female writers (two Bracketts); not quite fifty-fifty, but looking at just the fantasy and science fiction books, it is three vs three, so gender balance is achieved this month. Go me.

Ground Control — Anne Minton
How the British lost control of their own towns as more and more is under the control of commercial entities.

The Sword of Rhiannon — Leigh Brackett
A classic planetary romance set on a version of Mars drenched with a bittersweet aura of loss and nostalgia

Beyond the Blue Moon — Simon R. Green
Sequel to Blue Moon and the Hawke and Fisher novels, of which I’ve read the former but not the latter. Mindless escapism, but done quite well.

Gridlinked — Neal Asher
My experience with Asher’s novels so far has been confusing, as the ones I’ve read had a lot of assumed backstory from earlier books. But Gridlinked was his first novel, so surely this problem would not exist here? Not quite, as Asher still drops the reader in the middle of a fully realised, but not fully explained universe…

When Bagdhad Ruled the Muslim World — Hugh Kennedy
My interest in Late Antiquity and the early Middle Ages led me to needing to read more about the early centuries of Islam, which led me to this, which tells the story of the Abbasid caliphate that ruled most of the Muslim world for almost two centuries. A decent enough history, but hampered by the large number of unfamiliar names and the habit of Kennedy to jump back and forward in his history.

Midnight Riot — Ben Aaronovitch
Ben twittered the shit out of this book a few months ago, which is why I picked it up. A police officer in training tries to interview a ghost as an eyewitness to a particularly senseless murder, which inevitably leads to him drafted for the secret magical unit of the London Met. Much more wittier than it needed to be.

Line of Polity — Neal Asher
Sequel to Gridlinked and like it, I devoured this book in slightly more than a day. Space opera pro forma.

Lightborn — Tricia Sullivan
Excellent coming of age science fiction novel, which teaches that while all adults cannot be trusted, becoming one is inevitable.

Sheepfarmer’s Daughter — Elizabeth Moon
Elizabeth Moon’s first novel, competently written military fantasy in a standard sort of Medievaloid world, more fleshed out than most such worlds. The scale of the military actions and descriptions of mercenary life meshed well with the Peter H. Wilson history of the Thirty Years War I was also reading at the time.

The Halfling and other Stories — Leigh Brackett
A collection of Brackett pulp science fiction stories, filled with strong morally grey heroes, the lithe fierce women who love and captivate them and the alien menaces they have to confront.

The Thirty Years War — Peter H. Wilson
An ambitious and mostly succesful attempt to write the definitive one volume history of this war. Wilson is careful to provide the larger European political context when appropriate, but only when these developments directly influence the struggle in the Holy Roman Empire. His history is somewhat handicapped by the large number of players he — and more importantly, the reader — has to keep track off.

One Fine Day in the Middle of the Night — Christopher Brookmyre
Comedy thriller about a school reunion set on an oil rig being turned into a holiday resort, which is targeted by the world’s most inept gang of terrorist bampots. Quite funny, if you like Brookmyre’s style.

Lightborn — Tricia Sullivan

Lightborn


Lightborn
Tricia Sullivan
438 pages
published in 2010

Late last year Tricia Sullivan decried the fact that of the ten Clarke Award winners in the last decade, only one had been a woman, which in turned triggered a long discussion about women in sf in general much of it indexed at Torque Control. For me personally this discussion triggered a resolve to read more sf and fantasy written by women, as they had been woefully underrepresented until then. It was through the same discussions I learned about Tricia Sullivan herself, who as a writer had been completely unknown to me until then. Not only did she trigger the debate, her novel Maul ended second in the top ten Future Classics poll that Torque Control ran. So I kept an eye out for it at the local library, but they didn’t have it.

What they had instead was Lightborn, her latest novel. It’s a classic coming of age story, set in the city of Los Sombres in a somewhat alternate America, where instead of computers they have Feynmans and people use a special sort of light, Shine to program their own brains, as well as communicate with their version of the ‘net, the field, which is also inhabitated by the lightborn of the title, artificial intelligences, both benign and rogue. There are safeguards build/created in the field to keep the lightborn tame and Shine under control, but of course these fail at the start of the novel –otherwise there’d be no story after all. It leaves almost all the adults in Los Sombres permanently Shined and useless and kids like Roksana and Xavier, our heroes, scrabbling to survive in the aftermath.

Read more…

The Second Anglo-Dutch War — Gijs Rommelse

The Second Anglo-Dutch War


The Second Anglo-Dutch War
Gijs Rommelse
230 pages including index
published in 2006

I’m not sure if in these enlightened times they still do it, but if you ever come across a Dutch naval ship with a broom in the top of her mast and you want to know what’s that all about, read up about the Second Anglo-Dutch War and especially the Dutch raid on Medway, when the English fleet was “swept” from the sea. Yes, though these days the Dutch have been reduced to the butt of cheap racist jokes about dope smoking and homosexuality in the English consciousness, there once was a time when Holland was Britain’s greatest enemy and competitor, despite the common ground between the two countries. In fact, it was exactly this common ground that was the problem. England and Holland both were dependent on trade for their prosperity, both tried to monopolise the lucrative trade in e.g. spices and it was inevitable that they would fight for supremacy — it took four wars in total for England to get the upper hand. Of the four wars, the Second Anglo-Dutch War (1665–1667) was the one with the clearest Dutch victory.

Apart from that very general outline however, I knew little about this war, so I’m glad Gijs Rommelse decided to turn his thesis into a proper book. The Second Anglo-Dutch War‘s main interest lies in determining the causes of the war, how commercial, as well as both foreign and domestic political considerations on both sides drove the countries to war. In process Rommelse also delivers an overview of the war itself, giving short and to the point accounts of all aspects of the war, including the struggle in the Americans and the privatering both the English and the Dutch engaged in. This was after all as much as anything a war about trade.

Read more…

Reviews up at SF Mistressworks

Dept. of self promotion: the last few weeks I’ve gotten some old and new reviews published at Ian Sales’ SF Mistressworks site, dedicated to showcasing good books by female sf writers. Thought it might be good to point y’all at them.

The Female Man — Joanna Russ: “The Female Man is a tough book, but not a hard book to read. Joanna Russ is a brilliant writer and everything in here sparkles”

Ammonite — Nicola Griffith: “Nicola Griffith’s goal was to create a world populated solely with women without falling back on clichés about what such a world would look like. No “seven-feet-tall vegetarian amazons who would never dream of killing anyone, no “aliens who are really women or women who are really aliens”, but “the entire spectrum of human behavior”. ”

The Sword of Rhiannon — Leigh Brackett: “What sets The Sword of Rhiannon a touch above other pulp adventure stories is both Brackett’s writing and that elegiac sense of loss that comes across through it.”

Sign of the Labrys — Margaret St. Clair: “The infusion of what at first seemed a fairly standard science fiction story with a dose of Wicca worked pretty well. If necessary, you can ignore all the Wicca mumbo-jumbo and just think of it as psionics.”

The Sword of Rhiannon — Leigh Brackett

Cover of The Sword of Rhiannon


The Sword of Rhiannon
Leigh Brackett
141 pages
published in 1953

You may think you don’t know Leigh Brackett or read any of her stories, but you’re wrong. If you think The Empire Strikes Back is the best of the real Star Wars movies, you have her to thank for it, as she wrote the original screenplay, just before she died. This is no fluke either, as her screen writing career is almost as old as her science fiction career. She started off on The Big Sleep together with William Faulkner and has worked on other well known movies like Rio Bravo and The Long Goodbye. And with her long She knew her way around a film script; combine that with her long experience writing science fantasy for pulp magazines like Planet Stories and you know why Empire is so much better than any of the other Star Wars movies.

If you liked Empire than the good news is that Leigh Brackett is even better when working on her own stories. Though she wrote other science fiction, she’s best known for writing planetary romances (or science fantasy) in the tradition of Edgar Rice Burroughs. Her best stories are set on the Mars of Burroughs and dozens of pulp imitators, a dying world turned into a worldwide desert as its seas dried up, with a highly evolved but degenerated civilisation clinging to life through an elaborate system of canals, now turned into a new version of the Western frontier as Terran adventurers and never do wells come to try their luck. Brackett’s Mars is more than just a pulp adventure setting though. Her best stories leave you with a sense of melancholy and loss, perhaps nowhere more so than in The Sword of Rhiannon, “a hymn to the lost past of a Mars that never was” as Nicola Griffith put it in her introduction to a recent reissue.

Read more…