I don’t think irony was actually allowed in the seventies



I think Phil Knight is fooling himself if he thinks he was unusual in his unironic love of the Village People:

I used to love The Village People when I was a kid, but in a way that I suppose is fairly unusual, in that I took them entirely literally. Being only eight or so years old when they first appeared (and perhaps naive even for a kid of that age), I didn’t see the gay subtext (or in their case just plain text) at all. Which meant that I viewed them as a peculiarly big-hearted group who liked to write encouraging, optimistic songs about institutions that were normally overlooked by pop (homeless hostels, the U.S. Navy etc.) and to dress up in cool gear for the pleasure of us kids (because who else could they be dressing like that for?)

If you look at the video on its own it’s camp as hell of course and you wonder how the hell people in the seventies didn’t realise these guys might have ulterior motives to “hang out with all the boys”, but now look at them in their natural context, on Top of the Pops, along with all the Showaddywaddies:



And Real Things:



Really, were the Village People that different from their contemporaries? They fit right in that tradition of light entertainment and inoffensive mums & dads pop music: not too complicated, a catchy tune, lines you can easily sing along too and a wacky dance. In all, they’re not too different from these guys:



Oi!

London 2012:



Another perspective, more optimistic, same message:



Last Summer’s riots were a warning, but nobody has learned anything from it yet. I don’t think I ever thought I could get less optimistic than I was in 2002-2003 when I saw the world slide into war against Iraq, but my fear is that the only lesson the politicians took out of that debacle is that you can ignore popular discontent as long as you got parliament and the Westminster press bubble on your side. They’re wrong, but a lot of people are going to suffer before these fsckers get their just desserts.

Charlie Brooker takes on the scummy invisible Children campaign



That whole Invisible Children/Kony 2012 campaign is the worst case of “what these people need is a honky” style of activism. It’s overtly simplistic, revolves more about the activists’ egos than about the supposed cause they’re supporting and it all looks a lot like a scam to get money out of idealistic but gullible people. That the director of the video is an Evangelical Christian fits with the m.o.; Evangelical Christians are masters of the fake charity.

See also.

Watson & Oliver

It’s been a long time since I’ve been enjoying an old skool sketch show as much as I’ve been enjoying Watson & Oliver. I hadn’t heard of either Lorna Watson or Ingrid Oliver before, but they’ve obviously been around for some time, as they’re quite good and work well together.



A lot of their humour is observational and depending on repetition, as in both the sketch above and below. I’ve known co-workers/volunteers like her below, while the caf sketch is only mildly funny at first, but having been repeated in succesive shows has only become funnier.



They’re also good at getting in character, as seen here in the second of their Kate and Wills sketches.



All in all not a bad way of ending a Monday night.