Poke in a pig

David Cameron with pig

This really is the most hilarious news: David Cameron allegedly fucked a pig’s snout during a ruggers initiation. Cue a veritable barrage of pig jokes and puns on Twitter. But as Rob Fahey explains, it’s more than just silly fun: such hazing rituals are a means for the ruling classes to control themselves:

The ritualised, sexually grotesque nature of Cameron’s initiation sets it apart somewhat, of course; but what’s also different about this kind of ritual in elite circles is the calculation behind it, the power and control it affords, and the self-perpetuating network of influence it creates. Consider this scenario; at elite institutions, those earmarked – by wealth, by title, by connections – for future leadership roles are forced, as impressionable young people, to carry out humiliating acts in order to gain acceptance by an in-group. That same in-group will, over the course of their lives, help advance their career massively in ways both overt and covert; membership of that group essentially secures their success in life. The cost of entry, paid by all members of the group, is participation in humiliating acts; acts which will forever wed them to the group, because should they later act in a way contrary to the group’s interests or desires, their “indiscretions” can be brought back to destroy their careers or personal lives.

Angel Beats! rewatch 04 – Day Game

Angel Beats logo

After episode three’s angst, episode four is welcome comedy relief. It’s also mixed up Angel Beats! established formula a lot, as for the first time we get a cold opening rather than the theme song, a flashback to an unknown character’s life, something that will become relevant later in the episode. This is followed by the audience for the new lead singer of Girl Dead Monster, the former lead singer Iwasawa of course having disappeared last time. That leads into a new version of the opening song, as performed by GiDeMo, with the new recruit, the band’s groupie Otonashi encountered last episode singing the lead part.

is this death metal

Unfortunately said groupie, Yui is a bit of an idiot and manages to strangle herself with her microphone cord at the end of her performance. Death metal indeed. A lively discussion about the merits of letting her be GiDeMo’s lead singer ensues, and what it would mean for the band’s skill at providing diversions. Which naturally leads into the unveiling of Yurippe’s latest plans, which are remarkably low key: the battlefront is to enter the baseball competition and win everything.

There’s a catch of course: any of the Battlefront’s teams that doesn’t win against the NPC teams will get “punishment worse than death”. Which leaves Otonashi in the lurch, as he teamed up with Hideki Hinata, who promised to get all the best members on the team, but instead had to make do with the Front’s collection of idiots, including Yui, who drives Hinata nuts and to frequent physical punishment for her obnoxious behaviour. And really, who hasn’t want to do something like this to a slightly too cutesy cat girl every now and then?

play ball

But of course things can’t quite stay this light hearted and in the actual baseball game it’s revealed it was Hinata who had the flashback, remembering how his failure to catch a ball during a final cost his school team the chance to compete in the nationals. If he and his team now win the game, does this means he’ll disappear? Not quite, as it turns out and this remains a humour episode, setting up plot developments but not resolving them, with some more of the Battlefront members getting a bit of screen time. Funny, but slightly out of place in a series with only thirteen episodes, though I appreciate that it isn’t all angst, all the time.

Discworld for the Best Novel Hugo?

Charlie Stross has an interesting idea:

To clarify, novel series are currently eligible for the Best Hugo Award, as seen by the inclusion of The Wheel of Time last year, though it’s of course arguable whether or not the Discworld series could be seen as a single story under its rules. If not, one could also argue that with the last Tiffany Aching novel having been released, that particular sub-series should be nominated instead.

Should this be done? That’s a harder question to argue. Terry Pratchett himself declined at least one Hugo nomination some years ago and while a nice gesture, he himself is of course not around anymore to see it. Quality wise the Discworld series in parts is as good as anything that ever won a Hugo, while even its worst parts are nowhere near as bad as the worst novels to have won the Hugo. But still, should the Best Novel Hugo go to a sentimental gesture? Or would it be better to just nominate the last Discworld novel ever on its own merits?

I don’t think I would include the series on my ballot, as a) I don’t like the idea of having proper novels compete with series anyway and b) I’d rather see a living author get the recognition. Pterry really doesn’t need a Hugo, even if it is a nice gesture. However, I reserve the right to change my mind if I can’t find five worthy novels to nominate this year.

Book loot

books bought

Well, it’s been a while since I’ve done a book loot post, but today I got a lot of books from the local sf club I’d ordered earlier, including the run of Holland SF fanzines I used to read in the library. Apart from that there are three books by Gwyneth Jones: Kairos and Rainbow Bridge and especially interesting, a collection of her criticism, Deconstructing the Starships (which I got incredibly cheap if i can believe the price in the back of it). I also got a proper old skool yellow gollancz edition of Mindplayers, Pat Cadigan’s first novel, a Linda Nagata novel, Deception Well, a Leigh Brackett Erik John Stark book I still needed and finally, Pamela Sargent’s Watchstar and The Shore of Women.