Actual black nerd problems

Privilege is also, not having to worry about shit like this when going to conventions:

How the fuck is it that my Friday night Comic Con experience is hijacked by me doing the math on if I could get to my car with a giant, cartoonish sword strapped across my back? Why is this something that concerns me at all? It sure as hell didn’t concern the cool white dude who showed me his Levi-blade earlier. If I ran into him again and if he asked me if I picked one up myself, I wouldn’t know how to tell him about my reluctance to open myself up to possible harm. I wouldn’t know how to engage him on a level that says, “I’m glad we met and share an affinity for this same piece of art, but because I’m black and aware of the world around me, I don’t feel comfortable indulging myself at the same level you do.” It’s a tough conversation to have. It’s a tougher situation to articulate. It’s toughest though, just trying to live with that doubt in your head.

Ter Ziele — Esther Scherpenisse

Cover of Ter Ziele


Ter Ziele
Esther Scherpenisse
93 pages
published in 2014

Esther Scherpenisse is an up and coming Dutch fantasy writer, whose debut “Het prismaproject” in 2005 won the Paul Harland Prize in the best new writer category. Last year she managed to win the Paul Harland Prize again, but now for overall best story with “Ter Ziele”. For those unfamiliar with it, the Paul Harland Prize is an annual open competition for Dutch language science fiction, fantasy and horror stories; past winners include Thomas Olde Heuvelt, who went on to get two Hugo nominations this year and last. That last story is now available electronically as a chapbook, together with another of her short stories, “In de Mist”. That’s one of the advantages of ebooks, that you can publish chapbooks for a reasonable price rather than as expensive collectables, ideal to sample a new author.

Which is why I bought it yesterday after Esther tweeted that it was available. I’m still finding my way through the Dutch fantastika landscape after decades of not paying anything that didn’t come out in English. When I started investigating, Esther was one of the writers who had a critical buzz going for them and judging by the two stories here, that buzz is justified. These are well written stories that are as good as any published in English and I hope these will be translated sooner rather than later.

Read more…

The Sponsor

one panel from the Sponsor

I’m not a cartoonist myself, but I can’t pretend James Sturm’s The Sponsor didn’t hit home for me. It’s childish, it’s stupid to feel envious of people who do better than you, you should always focus on your own achievements rather than measure them against other people, art is not a zero sum game, but damn if I don’t feel that sting of despair sometimes. Even in something as ephemeral as blogging, it does hurt now and then not to have a little bit of pretend internet fame like blogger X.

And then I read my own posts back and I realise why that is.

There’s been a bit of controversy about this comic though, as some people felt this wasn’t a gentle satire of creative insecurity, but rather an attack on a specific young, upandcoming cartoonist. Unfortunately this seems to have mostly been alluded to rather than actually discussed, with this debate mostly happening via various back channels, leaving those of us not plugged in clueless as to why this was problematic.

I posted this comic to MetaFilter partially to see if somebody could enlighten me and Narrative Priorities at the very least put her finger on why there was a bit of unfortunate undertone to the strip, something I noticed myself as well:

There is some not-so-great subtext to the particulars of how this specific comic was executed. The dismissive comment about “online crap.” The fact that these are two male cartoonists referencing another male cartoonist while they try to bear up under the weight of a woman cartoonist’s success — which is treated like some kind of tragedy that these men have to suffer through. The fact that this isn’t just about how this particular young male cartoonist is having a rough time and not getting the attention he’d like, or how there’s some larger trend in comics that’s bumming him out, but rather a single woman’s life and work and accomplishments trotted out as if they’re slaps across his face, when ACTUALLY her life and work have nothing to do with him.

But I think that the gender of the rival is incidental, if unfortunate, to the comic’s main point, which is more to mock this angst than it is to validate it, even if it’s done sympathetically. If Sturm had set out to mock or attack the more successful rival, he would’ve been meaner about it.

As to who would’ve been the cartoonist supposedly targeted by Sturm, Narrative Priorities reports says most people seem to think it’s Lucy Knisely, which I can sort of see as she is young, very successful for a cartoonist and deservedly so. It just seems such a roundabout way to go about attacking somebody.

And the discussion about it has annoyed me, because it has been so coy and been the same sort of whisper networks and back channels that have been so problematic in other contexts. These sort of things need to be done out in the open, both so that readers can make their minds up based on all information available and so Sturm can defend himself against the accusations, rather than have it hanging over his head as something “everybody knows”.

Doctor Who cares

So I’ve not been too impressed with the latest Doctor Who series. None of the episodes have been great and a great many have been actively bad with shoddy characterisation and nonsensical plots. Throughout the series there have been the usual hints at thr big mystery waiting in the season final, with the irritating Missy popping up at the end of various episodes to vex recently killed extras. I wasn’t that confident that it would all add in the end and the trailer, which already gave away that the Cybermen would be involved, didn’t help. Giving away the big reveal like that took away much of the tension in the episode.

Now my pet theory had been that Missy somehow was the spirit of the TARDIS, revealed to a) exist and b) be female a few series ago, but this fortunately turned out to be wrong. Instead she’s a gender changed master, not even another Time Lord like the Rani, for a revival of that camp flirting between the Doctor and the Master that we saw in his previous appearance as well. There really are no new ideas in NuWho.

And then there was the plot catalyst that set the whole story in motion, as Clara’s boyfriend Danny Pink gets killed off screen in a car accident, she turns eevil and threatens the Doctor with losing the TARDIS if he doesn’t find a way to bring him back. Danny meanwhile finds himself in the Afterlife being interviewed by Chris Addison in which a Mysterious and Awful Secret from his Soldiering Past is revealed. So that’s a fridging, a Danger Room scenario and a troubled past in one sequence, which is impressive with its cliche denseness.

Things did get better as details of this afterlife and its implications became known, reminding me somewhat of Iain M. Bank’s Surface Detail, but this seems to get lost once Missy starts chewing the scenery, the Cybermen are revealed and all this afterlife business turns out to be a way to get recruits for their army: the dead outnumber the living.

It does feel as if two different stories have been smashed together, to the detriment of both. Why go through this whole charade if the whole intention is just to reprogram dead people as Cybermen? Why go for a tedious Cybermen invasion (again) if you have the whole idea of an artificial afterlife to play with?

As for the revelation that Missy is the Master, this both seems about the least interesting thing to be done with her and a deliberate snub of those who had been wanting a female Doctor for this series. I can’t even find it halfway progressive, as some seem to find it.

So yeah, of course I’ll be watching the second part to see if there’s any improvement, but I’m not hopeful.

Your Happening World (November 3rd)

  • Inktober 2014 – Imgur – A daily ink drawing of Reddit's movie title typos.
  • Guy writes chilling post about being a stalker – I would love to believe this is fiction (oh god, I so very much want this to be a really bad writing assignment or something) but he even tags the post as "Real Life". I can't. Brittain has absolutely no idea what he's done to this poor woman and casts himself as a downtrodden romantic hero instead of a deeply disturbing stalker. It's a frightening look at the mental hoops a stalker jumps through to rationalize their behavior.
  • Richard Brittain Violently Assaults Book Reviewer – In an update to the "Guy writes chilling post about being a stalker" story that I truly wish hadn't been real, Richard Brittain was arrested recently for tracking down a woman who panned his book, going to her workplace and beating her over the head with a bottle of wine.
  • The Complicated Appeal Of Black Metal – While black metal is considered to be by and for the deeply misanthropic — “true” black metal, by definition, is satanic — in the past decade its popularity has grown extensively, crossing over from die-hard “kvltists” to a centrist, mainstream indie-rock audience that would have never otherwise cared about a metal scene.
  • Kap nâh jòh!!! Haagse striptekenaar Marnix Rueb overleden!!! – Marco Raaphorst –