The High Crusade – Poul Anderson

Cover of The High Crusade


The High Crusade
Poul Anderson
167 pages
published in 1960

Poul Anderson has a not undeserved reputation as a deeply pessimistic, even depressing writer, largely based on his later novels which all seemed to share the assumption that human nature is unchangable, that evil will always be amongst us, progress impossible and the future will always end badly. It must have been something to do with his gloomy Danish genes. The High Crusade shows it was not always this way. Once upon a time even Poul Anderson could write a lighthearted science fantasy romp without some great clonking moral to mess it up.

Great fun it is too. It’s the year 1345 and a small town in Lincolnshire is visited by a spaceship belonging to the Wersgorix Empire, while the local baron Sir Roger de Tourneville was busy gathering men to join king Edward III in France. Thinking the landing a French trick, he and his men storm the space ship and overwhelm and kill almost all of the aliens, who have long since grown unused to hand to hand combat. Ordering the remaining alien to take them to France, Sir Roger loads the entire town into the ship, but the alien tricks them and sets course back to the planet it came from. Lots of adventures and misunderstandings follow and it ends with Sir Roger conquering the entire Wersgorix Empire…

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Farthing – Jo Walton

Cover of Farthing


Farthing
Jo Walton
319 pages
published in 2006

At first glance Farthing seems to be a classic English cozy country house mystery, if set in an alternate England. There’s the locked room murder taking place during a weekend party at the Farthing country estate. There are the clues pointing all too neatly at one of the guests. There’s the doughty detective refusing to believe them and there’s the slow deduction of the real killer’s identity and motivations. It all feels like something Agatha Christie or Josephine Tey could’ve written — the latter’s unconscious class snobbery being consciously used here — but in the end Farthing turns out to be something very different from the cozy mystery or even alternate history tale it masquerades as. This is in fact a horror story, with the horror provided not by the plot or the characters, but through the setting. As Ursula Le Guin puts it in her front cover blurb: “If Le Carré scares you, try Jo Walton”.

Farthing grabbed me by the throat from the first page and didn’t let go; one of the very few books to have ever done that. As with any other alternate WWII story, part of that is due to what you know is going on in the background that the characters themselves do not know yet or only suspect. Every such Hitler wins story depends on the tension between what the reader knows happened historically and what the characters in the story know or do not know: sometimes this is done explicit, as in Fatherland, where the whole point of the book is to get the protagonist up to speed on what we as readers already know. In Farthing‘s case though things are kept implicit. What Walton does is let the essential horror of the setting speak for itself, keeping the swastikas and Gestapo goons offstage. What she does in fact is showing that England did not need these props to become a fascist state.

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Big Planet – Jack Vance

Cover of Big Planet


Big Planet
Jack Vance
158 pages
published in 1951

It’s always dangerous to reread books you fondly remember from your youth. As Jo Walton put it, between the time you last read it and your rereading it, a book might have been visited by the suck fairy, which has taken all the awesome bits you remember and replaced them with dullness. Worse, the racism or sexism fairy may have also visited… I was therefore taken a risk in rereading Big Planet, one of the earliest Jack Vance novels I had ever read. Would it still be the great planetary romance I remember, or would all the adventure and wonder have been sucked out of it?

It turned out to be a bit of both. Not as good or great an adventure as my memory had made it, but still worth reading on its own accord. What my memory had made of Big Planet was much more exotic and detailed than it turned out to be, the real thing much more sketched out than filled in and how could it not with only 158 pages to play with. Nevertheless Big Planet is an important novel in Jack Vance’s development as a writer, as well as influential on other writers, as it shaped the planetary romance subgenre. Planetary romance being any science fiction story which takes place on a single planet and where most of the book revolves around the exploration of the planet, the stage more important than the actors on it.

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Camp Concentration – Thomas M. Disch

Cover of Camp Concentration


Camp Concentration
Thomas M. Disch
325 pages
published in 1968

Camp Concentration is a classic New Wave science fiction novel, but one I’ve never read before. I’ve always been a bit scared of Disch, due to his reputation as a “difficult” and pessimistic writer. These are qualities I’ve only recently started to appreciate, together with a renewed interest in New Wave science fiction. The New Wave was a time when science fiction went through a real literary revolution, as a new generation of writers started to question the genre’s core assumptions, first in the UK and then in America, where the New Wave went into a more political direction. Camp Concentration embodies this revolution perfectly.

It’s central idea, of political prisoners injected with a specially altered syphilis virus to make them hyperintelligent in order that they can design new superweapons for the American military, completely subverts science fiction’s traditional belief in technological progress. What’s more, any kind of dark thrill that could be had from this scenario is quickly undermined as well, as we never see the any sign of anything like that going on at all. Instead we get alchemy.

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The Night Sessions – Ken MacLeod

Cover of The Night Sessions


The Night Sessions
Ken MacLeod
324 pages
published in 2008

It was only when Ken ran a blurb on his blog for a promotion event for his new novel, that I realised that I hadn’t read his previous one The Night Sessions yet. So when my sweetie was running an Amazon order anyway and asked me what I wanted as a gift, this is what I asked for. Glad I did too, as it is of the usual high quality I expect from Ken.

You could call The Night Sessions a thematic sequel to The Execution Channel. That novel took place at the height of a decades long extension of the War Against Terror, while this takes place some decades after the end of what’s now called the Faith Wars in the US/UK, the Oil Wars anywhere else. Ended in a defeat for the coalition of the willing, it led to serious political repercussions in the west: the UK has disintegrated, the US is undergoing a second civil war (something Ken has used before) and in Scotland, as elsewhere religion is well and truly disestablished. There’s not just a separation of church and state, but an official constitutional police of no cognisance: the state doesn’t recognise priests, vicars, bishops, mullars or other religious offices, not even on the level of acknowledging their titles. It’s a world that fits in with Ken’s current hardline secularist attitude, as witnessed by his blog.

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