The Goths – Peter Heather

Cover of The Goths


The Goths
Peter Heather
358 pages including index
published in 1996

Most of Peter Heather’s professional output has, in one way or another, featured the Goths. Usually this has been in the context of their contribution to the fall of the Roman Empire in the west, which Heather has long argued they played a central role in. In The Goths his focus is slightly different, more concerned with the Goths themselves than with how they interacted with the Roman Empire, though that still of course is an important part of their story. The Goths is an entry in the Blackwell series The Peoples of Europe and is meant as a one volume overview of their entire history, for people largely unfamiliar with them. As Heather mentions in his introduction, the last book to attempt this was published in 1888, so it was high time for an update.

Heather’s divides his book in three main parts, preceded by an introductionary chapter. In this he discusses why the Goths were important and the problem of social identities, where the old assumptions of unchanging peoples recognisable by some checklist of unique features had been challenged in the 1950ties and 60ties by new research showing how individuals could change their identity when advantageous. Heather applies a synthesis of these approaches to the Goths, arguing that while there was such a thing as a Gothic group identity, it was fluid enough for non-Goths to join into and for the group as a whole to adapt to changing circumstances. He then goes on to first explore the origins of the Goths, thentheir invasion and defeat of the East Roman Empire and further wanderings through the Balkans into Italy and Gaul and finally looks at the history of the two Gothish kingdoms established on parts of the Western Empire. In all three parts Heather puts the search for Gothish identity central.

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Sci-fi Sunday: linkers live in vain

More links for a rainy|sunny|strike where not applicable Sunday afternoon.

The Making of Late Antiquity – Peter Brown

Cover of The Making of Late Antiquity


The Making of Late Antiquity
Peter Brown
135 pages including index
published in 1978

Peter Brown is the historian who popularised the idea of Late Antiquity as a transitional period between classic antiquity and the early Middle Ages, with the emphasis on the continuity between Rome and the Middle Ages, rather than on the collapse of the western Roman Empire. Brown first publicised his theories in The World of Late Antiquity; this isn’t that book, but was the closest to it I could get. The Making of Late Antiquity is based on a series of lectures Brown gave at Harvard University in 1976 and focuses on the transformation of Roman society between the second and fourth centuries CE.

A topic which is of course closely connected to the political and economic turmoil which the Roman Empire was subjected to in that period, with civil wars, “barbarian” invasions and a resurgent Persia, but you wouldn’t know it from this book. Brown concentrates on the inner lives of the Romans and ignores politics. This alone makes it an odd bedfellow with the other histories I’ve reading about this period, but Brown’s writing style makes it even odder. His writing is very oldfashioned, almost nineteenth century like, sometimes hard to come to grips with. The combination of inner focus and his writing style made this book fussy and a bit prissy, at least to me.

That Brown’s focus is on the mental rather than the political transformation of the Roman Empire made for a bit of a change, a different way of looking at Late Antiquity. Personally I find this too contrived to be useful, leaving out too much context and providing a much too rosy view of the late Roman Empire. Despite this I still finished The Making of Late Antiquity, since it was short enough to not waste too much time on.

There are two main arguments being pushed here. The first is the transformation of urban politics, as Roman society in these centuries became more hierarchical and more ambitious. Brown argues that in the second century ambition had been dampened by channeling it into local causes, e.g. through the sponsorship of religious festivals or by financing new buildings. Two centuries later these governors limiting ambition no longer worked; instead political ambition was aimed at the emperor. Political power was no longer to be found locally, but through the imperial bureaucracy and ultimately the favour of the emperor itself. Local elites became smaller and more connected to the centre.

At the same time, there was of course the transformation of the empire from being pagan to a Christian one. This again could be seen as a change in ambition. Religion in the second century was much more of a private affair than it would be in the fourth. The numinous was widespread in both centuries, but in the second it was more capricious, the gods could strike anybody and there were no reliable connections to the supernatural. Even those who called themselves sorcerers were relatively modest in their claims, never claiming universality. By the fourth century this had changed, through the Christian tradition of saints as well as the establishment of bishops and the church hierarchy. This much more controlled channel towards God mirrored the way in which society as a whole became more hierarchical.

Peter Brown’s focus is on the how, not the why of these changes. There’s not much discussion of the root causes for how Roman society evolved in these centuries. In this you can perhaps see the origin of this book in a series of lectures, as a good discussion of these root causes would be difficult to do justice in that format. Their lack in the book made it less than satisfying to me, left out too much context.

Among Others – Jo Walton

cover of Among Others


Among Others
Jo Walton
302 pages
published in 2010

Have you ever read a book you just wanted to gulp down in one sitting, so eager to get on with the story that everything else has to wait? Or alternatively, have you ever read a book you didn’t want to end, stretching out your reading so you could savour it, making excuses not to read it just now, so as not end it too soon? I’m sure you have and so have I, but much rarer are those books where you want to do both, gulp down the story and stretch it out because once the book is finished you can never read it for the first time again. That’s how Among Others was for me, a book I wanted to stay in, but also wanted to keep turning the page to see how it would all turn out. Jo Walton has always been a good writer, but here she’s surpassed herself.

But perhaps I’m not quite objective. After all, I’ve known and liked Jo since the mid-nineties, as a fellow fan and friend from the rec.arts.sf.* Usenet groups, who has had a huge influence on my reading, in science fiction, in fantasy, who I got to know about as well as you can get to know a person from Usenet posts. All I could think about at the start of the book was how Jo-shaped it was, even knowning going in that this was rooted in her actual life growing up as a science fiction reading Welsh girl in a post-industrial landscape which she populated with fairies. She made the fairies and the magic real for Among Others but at heart it’s still her own story and that’s what made me want to spent more time in it, because being with Jo, a disguised Jo in fiction is the next best thing to seeing her at a convention.

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The Left Hand of Darkness – Ursula K. LeGuin

Cover of The Left Hand of Darkness


The Left Hand of Darkness
Ursula K. LeGuin
286 pages
published in 1969

Last year I discovered I read why too few science fiction books written by women and started making up for this lack by (re)reading some favourite writers. With the new year and following the example of several fellow science fiction bloggers, I decided to approach this more systemically, by pledging to read at least one science fiction or fantasy book by a female writer each month. The Left Hand of Darkness is the first and I choose it because it was a well respected classic novel, winner of both the Hugo and Nebula awards, I had never managed finish before, despite having tried three or four times and as important, it was short.

Since The Left Hand of Darkness is such a well known work, over forty years old and discussed and summarised extensively during that time, you can’t help but come to it with certain preconceptions about it. The most important of which you’ll have to let go if you want to get the shape of the true book. This is not a feminist science fiction novel. It’s a novel about gender and gender expectations and the role our assumptions of having two separate sexes each with their own character, strength and weakness play in our societies, but it’s not feminist, unless every book about gender is by definition feminist. What you actually get in this story is a fairly traditional view of gender, as I’ll try to show.

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