Prophet — Brandon Graham et all

Opening splash page of Prophet #21 by Simon Roy

That Rob Liefeld, back at Image and having somewhat rehabilitated himself this past decade, would attempt to restart his old nineties titles was expected. That he even would get back to Prophet wasn’t much of a suprise either, but that the new Prophet would become a cult success and a critical hit, that I never suspected. I don’t really remember the original Prophet, just another of Liefeld’s Cable clones, akk hip pouches and big guns, that got his fifteen minutes of fame thanks to Wizard hype with nothing to distinguish it from the dozens of other Liefeldian creations published back then.

Farel Dalrympie has a nice Bilal-like touch

The second time around Prophet has nothing of Liefeld in it anymore, with the only thing surviving from the original series being the title and John Prophet’s general appearance, sans hip pouches. Apart from that nothing connects the two series.

Sex with aliens? This must be Metal Hurlant

I don’t know the people behind the new series: Brandon Graham, the main writer and Simon Roy, Farel Dalrympie, Giannis Milonogiannis, the artists, with Brandon also lending a hand to the art for one chapter. Never heard of them before this, never read anything they’ve done, all I know is one thing. Somebody must’ve read a lot of French seventies science fiction comics.

Prophet as Arzach. Simon Roy does Moebius

It’s the art that you notice this first. It’s rare for artists working in American comics to be this influenced by European art rather than Japanese manga, especially in a science fiction series like this, but the names that come up to compare with are people like Enki Bilal, Philippe Druillet, Paul Gillon, J. C. Mezieres, Jean Claude Forest, and of course Moebius.The designs of the aliens, the vehicles, the flora and fauna of the far future Earth, the slightly trippy setting and matter of fact protagonist, it could’ve been a serial in mid-seventies Métal Hurlant.

Giannis Milonogiannis does have some manga influences

The story too is very Métal Hurlant like: Prophet awakes in an underground pod, on a far future Earth unfamiliar to him, a voice in his head urging him to travel East. The country he travels through is devoid of familiar live, taken over by various aliens, bearing the scars of long ago wars. Over the course of the first three chapters it turns out Prophet’s task is to restore the Earth Empire by activating the G.O.D. satellite. His task complete, we learn that he is but one of a legion of clone brothers, as John Prophets all over the galaxy awaken and the action shifts elsewhere.

Brandon Graham goes cosmic

In all, I’ve no idea how these people got their seventies French sci-fi romp wedged into a nineties Image superhero title, or why, but I’m glad they did. This is a brilliant, original series like nothing else being published and while I keep harping on about how much it reminds me of something like Exterminator 17 e.g., the thing is that this is not an exercise in nostalgia, but something modern, something new, something that hasn’t really been done before. This is actually a series you may want to read as it comes out, rather than wait for the trades.

We didn’t start the fire

No more mister nice guy

The London Review of Books looks at the context in which the new Israeli attack on Gaza is taken place:

Electoral considerations are likely to have played a role in Israeli decision-making, but hardly driven them. Both Netanyahu and his defence minister, Ehud Barak, had been smarting since March from a previous Egyptian-mediated ceasefire, according to which they informally agreed not only to stop attacking the Gaza Strip but also to discontinue assassinations. An Islamic Jihad leader I interviewed at the time reckoned this was a climbdown too far for Israel’s leaders and they were bound to renew hostilities sooner rather than later.

Pummelling Gaza yet again was intended to remind all concerned – not least the new Egypt – who makes the rules, though it would also reassure the Israeli electorate they need not fear the prospect of Obama punishing Israel for Netanyahu’s embrace of the Romney/Adelson ticket. As expected, the Obama White House has reiterated its commitment to Israel, and Congress has been busy passing unanimous resolutions supporting Israel’s right to self-defence in its colonial possessions. The positions of most European states have been only marginally less obscene.

One of the eternal failures of the news media is their ahistorical approach to the Israeli apartheid state: news coverage only begins when Israelis are victims and anything that comes before it is ignored.

Metro Art

Art in the Metro

The Amsterdam Metro’s oldest trains are some thirty years old, dating back to when the underground was first opened in the late seventies. They were revamped and gotten a mid life update a couple of years ago and to give them a fresher image, the GVB got some forty artists to design a carriage. The above is my favourite, a representation of what a similar carriage would look like in Mumbai. The complete set of carriages can be seen at the GVB website

An unexpected revelation

Claire comes out to Marten about being trans

Claire is a new character in Questionable Content, introduced some months ago as a co-worker of the (allegedly) main character Marten (on the right). I like the matter of fact way Jeph Jacques has introduced her being trans here. There had been no clues in earlier strips and no drama is made out of it; no big dramatic soap opera reveal is made here. If there’s any cartoonist I’d trust to handle this well it’s Jeph Jacques, looking forward to what he does with this.