Is it the sport she likes or the player? — Sorairo Utility — First Impressions

This too is yuri:

Minami, a first year high school girl has a very relatable problem: the gacha game she put all her time and money in is ending service. Now what’s she gonna do? Her friend Izumi suggests it’s a good thing, now she can actually do something you can only do in high school, like join a school club or do a part time job or find a boyfriend. That youth stuff, eh? Not something she seems overtly interested in (especially the last item, considering her reaction to that female golfer later on in the episode). But when Izumi suggest it might unlock a hidden talent, she gets fired up and starts trying every club in school, failing miserably with all. Once she broadens her quest to outside of school, she runs into an old man with back problems, who asks her to bring his golf bag to the nearby driving range where she sees the golf girl from the video and the rest is history…

Minami declaring she is going to look for her special extraordinary something while her friend looks on bemused

An enjoyable first episode which doesn’t spent too much time yet on explaining golf to the viewer. Minami with her desire to do something special and extraordinary but failure at achieving anything is extremely relatable. The way Minami is looking for something to be obsessed with and how she thinks golf might be it, is something I recognise. I like her friend Izumi too, a good foil for her enthusiasm, as well as Akane, the golf girl we see in the video, who ends up taking Minami under her wing.

The animation is fluid and good looking in the right places, with the actual golf playing receiving the most care; it’s also not afraid to get a bit ugly and off model when necessary, like when Minami goes into one of her rants. I already liked the original OVA when it came out in 2022, which was just three high school girls playing golf and hoped it would be a series someday. So far I’m glad I got my wish.

Wat Vooraf Ging — #aComicaDay (63)

Dutch cartoonist Hanco Kolk goes into What Came Before the creation of various famous characters, from Romeo & Juliet to Batman, Mickey Mouse to Cinderella.

A red cover with the title and author on the left and stylised portraits of various famous characters on the right including Batman and Cinderella

Hanco Kolk got his first comic published in the same year I was born, 1974, in legendary underground zine Tante Leny Presenteert, when he was 17. Cutting his teeth on underground and amateur zines in the seventies, also founding his own, he moved into more commercial comics work in the 1980s, his most famous creation being Gilles de Geus, “the Dutch Asterix”, on which he worked together with Peter de Wit as scenarist. These two worked together a lot, including on an actual television course on how to become a cartoonist, as well as the still running Singles newspaper comic strip. On his own, his Meccano series of graphic novels has been critically acclaimed both in the Netherlands and France.

Wat Vooraf Ging (What Came Before) is drawn in Kolk’s usual Clear Line style and starts with Romeo and Juliet, each story linking to the next on its last page. In order, these go from Romeo and Juliet to Batman, Cinderella, Mickey Mouse, Frankenstein, Dracula and finally Sherlock Holmes. In each case a lot of other characters and stories are also talked about, showing how they influence the feature creation or were in turn inspired by them.

For the most part this is going over well known territory if you know these characters, but for me at least there were still surprises here and there. Not in the least the fact that Cinderella is a story so old it has been around in one form or another since literally the Stone Age!

Whether or not these precursors were actual influences is not always knowable of course. For example, Kolk starts his examination of Batman’s origins with Pierre Picaud, a 19th century shoemaker rather than much more obvious and later influences like Zorro. And the reason he does so was because Picaud was the real life inspiration for The Count of Monte Cristo. Picaud was betrayed by his friends, accused of being an English spy for which he was imprisoned, after which his friends took his fiancee and fortune for themselves. Once he got out of jail he took revenge and murdered them, for which he got the death penalty. From there Kolk shows the evolution of the masked avenger step by step, from the Scarlet Pimpernel all the way to Batman.

This was the last comic I bought in 2024 and the first I read this year, therefore a good one to re-open this series with.

Whatta Maroon — Deaimon

What if you made a thoughtful, subtle, mature anime about somebody moving back into the family business after having spent a decade fruitlessly chasing his dream, make it about what it means to be family, about love and relationships and starting again, full of well thought out supporting characters but have it star this muppet:

A close up of a dumb looking guy wearing a foam chestnut on top of his head

Nagomu left his family’s Japanese sconfectionery shop in Kyoto to try his luck as a rock musician in Tokyo. Ten years on with success still eluding him, his fellow band members finally quit. Just as he’s feeling low he gets a care package of sweets from his mother, but included in it is a letter saying his father has been hospitalised. When he tells his girlfriend that he wants to go back home, she leaves him. Rushing home he finds out his father is already back at work and they really don’t need him. Instead they’ve ‘adopted’ Itsuka, an elementary school girl whose father abandoned her. Nevertheless, his mother believes that Nagomu could be a father figure for her and his ex-girlfriend still has feelings for him and has moved to Kyoto too.

Nagomu in his baker's outfit and with giant chestnut on his head, playing guitar and singing about sweets next to a embarrassed looking Itsuka.

Every other character in this series is realistic, subtle, somebody who you can believe could actually exist. But they’re all constantly undermined by somebody who thinks it’s a good gimmick to dress up as giant chestnuts to promote his band and kept doing so for ten years. Nagomu is the type of protagonist who is dumb and useless at doing anything, the type who cries when he has to sell one of his parents’ sweets because he hates to see them go. The type of protagonist who has heart but little else going for him, with a measurelessly irritating voice as well. Yet this dude managed to keep himself not only alive for a decade living alone in Tokyo, but also managed to keep his band going and score a girlfriend who honestly is way above his league?

It makes Deaimon a mixed bag. On the one hand this is a rare example of a series that looks at what it’s like to be an adult and realise you’re never going to make your dreams come true and finding peace with it. An anime that looks at becoming family and what it takes to be in your early thirties and having to remake your life. But it’s constantly undermined by the very anime! protagonist being an insufferable idiot. If you can stand that this is a great series.

From Ecuador to Ya Boy Kongming

Back in 1997, German electronica producers group Sash! released this banger:

Then in 2013, Hungarian DJ Jolly-Bulikirály would use its melody as the base for his party anthem Bulikirály, a song about how nice it is to party and dance and drink a lot.

Finally, in 2022 P. A. Works made an anime series, PariPi Kongming/Ya Boy Kongming about a mythical Chinese warlord who is reincarnated in modern Shibuya to become an EDM producer. For its opening it took the Japanese version of Bulikirály, Chiki Chiki Bam Bam and it slapped:

That’s how international anime is these days, that you can have the Japanese version of a Hungarian song the melody of which was created by a German DJ group as the opening for a series about a Chinese warlord becoming an EDM producer for a Japanese singer. Bonus: that time Jon Richardson made a terrible pun about Sash! and Ecuador on * out of 10 Cats.

A Girl and her Pet Behemoth — First Impressions

It’s a Christmas miracle: an anime fantasy series with a town that isn’t a perfect circle!

An aerial view of a medieval town located on a bay, with city walls that do not form a perfect circle

S-Rank Monster no “Behemoth” dakedo, Neko to Machigawarete Elf Musume no Pet toshite Kurashitemasu (I’m an S-Rank “Behemoth” Monster, but I’m Living as a Pet of an Elf Girl, I’m a Behemoth, an S-Ranked Monster, but Mistaken for a Cat, I Live as an Elf Girl’s Pet) aka Beheneko is about a knight who reincarnated as a monster and for more information, reread that title above. Yes, this is very much another generic pseudo-isekai series, but it is one that seems that had a little bit more care put into it than normal. The mere fact that the city actually looks like a proper town is one example of this. Animation, design and setting are all a cut above the rest, even if the plot is still fairly standard.

A light brown cat with darker brown tiger stripes is lapping milk from a saucer

All this really needed was for the cat and its elf girl master to be reasonably cute and it succeeded with both. This first episode was pretty much the usual one introductionary one, basically setting up the title (and indeed name dropping it at the very end). A nameless knight gets reincarnated as the S-class monster Behemoth, but he looks like a little kitten, has fun killing other monsters in the dungeon until he runs into a dragon and nearly gets killed. At which point the elf girl finds him, takes him home and nurtures him back to health. Visiting the adventurers guild she is accosted by a rapey co-worker, the cat saves her and they fight a duel which she and the cat wins. The one sour note in the whole episode was the guild master being an obnoxious gay stereotype.

On the whole though this very much looks like a nice, light show to watch week by week.